VOLA means "fly" in second person imperative (tu, vola = you, fly).
This effect pedal is a transparent and very dynamic overdrive that works perfectly also as a clean boost or preamp.
It offers a huge range of tones: from the lowest setting which allows to revive the signal adding brilliancy to each note you play, to the highest one which transforms the pedal in a dense and perfect overdrive for playing determined chords and clear solos.

The VOLA is created for that kind of guitar player who just wants to add his personal touch to the clean signal of his guitar and the character of his amp.

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Review by Pedal of the Day

Demo by Pedal Nerds

Demo by shnobel

Vola

The AMA V.2 offers up to 4 different control parameters for the reverb (OSC, MIX, REVERB and RAMP) and 2 for the re-worked and now more musical bit crusher which is still placed after the reverb (RESOLUTION and SAMPLE RATE).
Note: About the bit crusher, there is also an internal trimmer which controls the effect's gate. Anyway, we suggest to leave that as it comes from the factory.

Demo by We As A Company

Demo by НОЙЗ

Diese perkussive Ambient-Maschine besteht aus 2 Effekten in einer Pedaleinheit und ist etwas, von dem wir hier bei AC noises aufgrund unserer wahren Liebe für Film-Soundtracks, cineastische Klanglandschaften und atmosphärische Musik im Allgemeinen schon lange geträumt haben: ein Shimmer Reverb vor einem Multimode-Lfo-Tremolo.

This percussive ambient machine consists in 2 effects in 1 pedal unit, and it’s something that we dreamed about for a very long time here at AC noises due our true love for movie soundtracks, cinematic soundscapes and atmospheric music in general: a shimmer reverb in front of a multimode LFO tremolo.

Review by pedal of the day

Demo by The Pedal Zone

Demo by Ambient Endeavors

Respira

Developed on an incredibly powerful DSP (which is often used in modular synthesizers industry more than the effects pedals one), RICORDA provides a multitude of parameters for sculpting and shaping the reverberant space. From controlling the density and size of the grains to modulating their feedback and stereo spread, the possibilities for sonic exploration are virtually limitless. With each adjustment, the reverberant environment evolves by revealing new dimensions and sonic possibilities, also thanks to the freeze/loop feature and the “hidden” secondary mode as well.

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