A handmade germanium and silicon booster with tone control, based on the 1966 Dallas Range Master treble booster circuit. Known to be used to sculpt the tones of many UK guitarists in the 60's and 70's as Iommi, Bolan, Clapton, Gallagher, May or Judas Priest in his early works. At some point, some of them changed his germanium transistor based booster to a silicon one due his best reliability and better signal/noise ratio. Also they swapped the input cap to bring more lows, that's the Range control does.

The pedal boost the signal, emphasizing medium/high frequencies adding a raw sound but with a softness similar to the achieved by leaving the wah in a fixed position. With the Range control the spectrum of frequencies is expanded to find the desired tone that suits your equipment.

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Range Booster

A handmade all-around fuzz pedal based on the classical Fuzz Face. It can be built in three versions, silicon, germanium or hybrid si-ge for the best of both worlds.

Apart from the usual Volume and Fuzz controls, this one has a Tone knob that controls the amount of bass entering the circuit and paired with the Mode switch has a wide spectrum of tones from the trebly tonebender mk1.5 to the full bass modern fuzzes. The Pregain acts like an attenuator just like the volume of your guitar, it can be used to clean the fuzz or to be more friendly with some wahs. The Bias helps with the temperature on the germanium version but it also is useful to sculpt the signal towards more zippery or more overdriving tone.

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Main Fuzz

A handmade delay pedal based on the PT2399 delay processor datasheet scheme, which tries to emulate the sound of an old analog echo.

Easy to use, it only has three controls and the MOD switch, which adds a smooth modulation effect similar to that produced by the movement of a worn tape.

2399 Echo

The GT73 is a handmade pedal based on the 1973 Matamp GT120 preamp with master volume control and solid state components rather than tubes.

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GT73

A warm and organic sounding optical tremolo. The knobs are: Rate to vary the speed of the trem, Depth for the amount of the effect, and Wave control to travel from square waveform at the minimum setting to the left, to triangle at the far right, in between you have some sine/rounded square waveform with a bit of asymmetry like an amp trem.

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