A handmade delay pedal based on the PT2399 delay processor datasheet scheme, which tries to emulate the sound of an old analog echo.

Easy to use, it only has three controls and the MOD switch, which adds a smooth modulation effect similar to that produced by the movement of a worn tape.

Review by Ultimate Guitar

Product Page

2399 Echo

A handmade updated Shin-Ei/Univox FY6 Super Fuzz clone with some mods. A classic octave fuzz with matched transistors and NOS Ge diodes for more pronounced octave. The Octave knob takes out the octave signal leaving the fuzz alone with some synthy tone. The Tone allows to blend between the two Superfuzz modes, scooped and flat mids. Also the final stage has been tweaked ro reach more final output.

Review by reddit /guitarpedals

Demo by the wetter bass

Official Product Video

Review by The Gear Page

Superfuzz V2

The Meteorite is our take on the Rite type fuzzes. It's a hairy vintage silicon fuzz that can either sputtery, gated or thick by adjusting its Depth control.

The originals did not have a great amount of volume so this one features an extra gain stage that will make it cut through in a band situation. You have also the option without the extra stage just like the original, please select an option from the dropdown menu below.

A great tool for garage, punk and surf tones that can help to catch the sounds of The Ventures, Dave Allan or Iron Butterfly.

Review by dhsowmusic

Review by Premier Guitar

Meteorite

A handmade pedal based on the second generation of 3-transitor boxes from the mid sixties like the used by Page with The Yardbirds and early Zeppelin. With a great amount of saturated gain, this one is equipped with an external bias to be able to dial the different bender tones we heard on records bringing the chance to remove hiss, add sustain, get better cleans with volume roll off or get sputtery and gated tones.

Mark2 Fuzz

A handmade germanium and silicon booster with tone control, based on the 1966 Dallas Range Master treble booster circuit. Known to be used to sculpt the tones of many UK guitarists in the 60's and 70's as Iommi, Bolan, Clapton, Gallagher, May or Judas Priest in his early works. At some point, some of them changed his germanium transistor based booster to a silicon one due his best reliability and better signal/noise ratio. Also they swapped the input cap to bring more lows, that's the Range control does.

The pedal boost the signal, emphasizing medium/high frequencies adding a raw sound but with a softness similar to the achieved by leaving the wah in a fixed position. With the Range control the spectrum of frequencies is expanded to find the desired tone that suits your equipment.

Featured Artists

Range Booster

Media

Videos

Reviews

Links

Technische Daten

Weitere Pedals von Ananashead Effects

Ananashead Effects

2399 Echo

Ananashead Effects

Superfuzz V2

Ananashead Effects

Meteorite

Ananashead Effects

Mark2 Fuzz

Produkte

Bau dein Board

Services

Community