The DM-T is based on a germanium fitted special Booster from the late 60‘s. Here is a copy of this circuit but with the nice addition of a very versatile frankenstein tone-control system: for the treble and mid tone-control the circuit of the almost forgotten Apollo booster is used while for the bass tone-control the circuit of a modified VOX booster will comfort your ears. In comparison to the technical similar but more gently sounding Ambassador Treble & Midrange Booster, the DM-T produces a harder sound without getting shrill. It fits perfectly the classic beat and rock sound but is also a good mate for funky or country rock music. The DM-T is loaded with original west European NOS 60s germanium transistors.

Demo by Guitar Bonedo

Demo by Haiko Heinz

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DM-T Treble/Full-Mid Booster 

he BSM SPECTRUM Fuzz-Booster is our tribute to Tommy Bolin, guitar wizzard of the 70's, that was not only well known because of his marvelous guitar playing as a studio guitarist on Billy Cobham's spectacular "Spectrum" jazz fusion album from 1973, he was also a worthy follower for Ritchie Blackmore on Deep Purples "Mk_IV". All the time Mr. Bolin had a punchy and "in the face" sound which he created with a Sam Ash Fuzzz unit that had a controlable, treble-boosty character. The BSM "Spectrum" is an copy of the Sam Ash Fuzzz that Tommy Bolin used, down to the oddest details like the "attack" control that can smoothly blend from treble boost to fuzz, while the "spectrum" control manipulates the tone spectrum up to unbelieveable almost six octaves - because of this it should be very easy to find the sound you are yearning for.

Review by Premier Guitar

Spectrum Fuzz Booster

The BSM HS model is based on the short-lived early edition British HORNBY-SKEWES unit produced, as used by Ritchie Blackmore, the brilliant and impulsive guitarist of Deep Purple. The unit produces a powerful and biting sound that was used to help create the epochal masterpieces e.g. "Deep Purple In Rock" and "Fireball". The long yearned for new edition, now issued under the name HS from BSM, includes the same germanium transistors as the 1965 version. The HS-Custom model includes a volume control (like Blackmore's modification).

HS Treble Booster

BSM decided to build a significant boutique overdrive pedal in order to add a different and more modern way of receiving the signature Blackmore sound additionally to the classic BSM full power Booster line: the SUPREME! If combines the medium output of an overdrive pedal with the typical Blackmore sound, so as to achieve Ritchie’s tone immediately with most amps bright channel independently from the SUPREMES’ output adjustment. The drive-control is there to set perfectly Ritchie’s gain-shadings over the last four decades of his rock-artistic development. The basic tone is very beefy with direct bass, punching mids and uncoloured treble.

Demo by  楽器好きにはたまらない! フーチーズ 渋谷店 

Supreme special Overdrive

The BSM RM model is based on the British Range Master unit produced between 1965 and 1969, as used by Eric Clapton in John Mayall's Bluesbreakers. Eric also used the booster when playing in the legendary group Cream. Its biting, powerful sound is clearly in evidence on the Bluesbreakers "Beano" album. Blues rocker Rory Gallagher, Heavy Rock pioneer Tony Iommi and Brian May from Queen were also heavy users of the orginal Range Master unit. The Range Master unit was also used by G. Tipton & K.K. Downing of the British heavy metal band Judas Priest in the late 1970s years to push its amps in full-tilt heaven. The long yearned for new edition, now issued under the name RM from BSM, includes the same OC44 germanium transistors as the the original 1965 version.

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RM Treble Booster

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Weitere Pedals von BSM - Meiser Electronics

BSM - Meiser Electronics

DM-T Treble/Full-Mid Booster

BSM - Meiser Electronics

Spectrum Fuzz Booster

BSM - Meiser Electronics

HS Treble Booster

BSM - Meiser Electronics

Supreme special Overdrive

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