The DM-T is based on a germanium fitted special Booster from the late 60‘s. Here is a copy of this circuit but with the nice addition of a very versatile frankenstein tone-control system: for the treble and mid tone-control the circuit of the almost forgotten Apollo booster is used while for the bass tone-control the circuit of a modified VOX booster will comfort your ears. In comparison to the technical similar but more gently sounding Ambassador Treble & Midrange Booster, the DM-T produces a harder sound without getting shrill. It fits perfectly the classic beat and rock sound but is also a good mate for funky or country rock music. The DM-T is loaded with original west European NOS 60s germanium transistors.

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Demo by Haiko Heinz

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DM-T Treble/Full-Mid Booster 

Based on the best classic boosters, the BSM Ambassador - a germanium treble/midrange booster, is a crossover between the Rangemaster Booster, the Orange Booster and the Winston Booster. The transistors are specially selected to pass the strict internal BSM factory QC guidelines. Classic boosters never cared about the midrange, and that's what makes the Ambassador stand out - the midrange and the treble range are both inside this little box. From crystal clear highs to fat and meaty mids, it's easy to dial in all these sounds with every common pickup. With the "color" control set to midrange, a singlecoil pickup really sounds like a PAF humbucker, and a PAF like fat and overwounded humbucker. The Ambassador is loaded with a special selected original NOS germanium transistor from the 60's, like the Winston Treble Booster was.

Ambassador Treble/Mid Booster 

In November 1973, right before the start of the "Burn" tour, Ritchie Blackmore changed his live setup. First and foremost, he wanted to play live with an echo effect and made the AIWA TP-1011 reel-to-reel tape recorder his first choice. This unit offered the typical 1/3 seconds echo repeat, perfectly matching Blackmore's natural beat. Additionally, Blackmore used the integrated microphone pre-amp as a booster, and so his beloved Hornby-Skewes trebleboosters, he used for many years, were no longer needed and sent into retirement. The necessary trebleboost function (from a technical point of view a "highpass" function), was built into his heavily modified Marshall Major amp.

RPA California II Treble Booster

Review by Gitarre & Bass

Starbreaker Booster

he BSM SPECTRUM Fuzz-Booster is our tribute to Tommy Bolin, guitar wizzard of the 70's, that was not only well known because of his marvelous guitar playing as a studio guitarist on Billy Cobham's spectacular "Spectrum" jazz fusion album from 1973, he was also a worthy follower for Ritchie Blackmore on Deep Purples "Mk_IV". All the time Mr. Bolin had a punchy and "in the face" sound which he created with a Sam Ash Fuzzz unit that had a controlable, treble-boosty character. The BSM "Spectrum" is an copy of the Sam Ash Fuzzz that Tommy Bolin used, down to the oddest details like the "attack" control that can smoothly blend from treble boost to fuzz, while the "spectrum" control manipulates the tone spectrum up to unbelieveable almost six octaves - because of this it should be very easy to find the sound you are yearning for.

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Spectrum Fuzz Booster

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Weitere Pedals von BSM - Meiser Electronics

BSM - Meiser Electronics

DM-T Treble/Full-Mid Booster

BSM - Meiser Electronics

Ambassador Treble/Mid Booster

BSM - Meiser Electronics

RPA California II Treble Booster

BSM - Meiser Electronics

Starbreaker Booster

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