The Bigfoot King Fuzz XL is two award-winning guitar pedals in one box: the Thunder Pup overdrive and the King Fuzz distortion.

It will cover all your dirty sounds with ease. It has separate 2 modes, one for lower gain sounds and one for higher gain sounds, both of which have our trademark tube amp quality tone. The overdrive circuit provides classic Angus Young (AC/DC) Marshall-esque grit, while the distortion circuit captures a Dan Auerbach (The Black Keys) inspired saturation.

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King Fuzz XL

The circuits and tones are identical in the King Fuzz Mini to the standard King Fuzz pedal. However, the King Fuzz Mini does not feature the internal battery option.

Inspired by the organic guitar tones of Dan Auerbach (The Black Keys), this pedal is designed to sound and respond exactly like a cranked up vintage tube amp. It caters for everything from medium gain blues to fully saturated rock, and everything in between.

King Fuzz Mini

The Bigfoot King Fuzz is a high gain guitar pedal that covers a multitude of fuzz and distortion tones.

Inspired by the organic guitar tones of Dan Auerbach (The Black Keys), this pedal is designed to sound and respond exactly like a cranked up vintage tube amp. It caters for everything from medium gain blues to fully saturated rock, and everything in between.

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King Fuzz

The Bigfoot Yak Face is a very high quality 3-band EQ with controls for treble, middle, and bass frequencies.

Inspired by the classic Super Reverb amplifier, the Yak Face has 3 powerful controls which offer a broad, smooth sweep through a huge range of tones. Bass frequencies can soar from tight to thunderous, mids from scooped to punchy, and treble from warm to sparkling with ease. The sonic ability of this pedal will truly put all your existing tone controls to shame.

Yak Face

The Bigfoot Thunder Pup XL is a low/medium gain guitar pedal for classic British overdrive tones with a foot-switchable clean boost.

The Thunder Pup has 2 settings: the Big Amp mode is inspired by the tones of Angus Young (AC/DC) and captures the classic Marshall Plexi 4x12 stack sound. It has a little more gain, a stronger lower-midrange punch, and powerful low frequency response. The Little Amp mode has a faster attack in the lows, cleaner mids, and more air in the highs like a vintage open back 2x12 combo, such as the Vox AC30 or the Marshall Bluesbreaker. The foot-switchable clean boost provides 16dB of additional gain, which is perfect for lifting your guitar solos with more fatness, sustain, and volume.

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