The Quantum Mystic Overdrive was developed working closely with Mike Scheidt from the Portland Oregon band , Yob. Mike is known for great tone and groundbreaking music in the metal and doom community. We decided to adapt his favorite pedal from the seminal early YOB records into an updated and upgraded circuit. The Quantum Mystic is an opamp based distortion/OD featuring a 3 band active EQ and germanium clipping. It draws cues from Mike favorite old Grey Distortion, boiled down by a wizard, tweeked, manipulated, upgraded and using both mine and Mike’s ear, we sculpted the form you now hear and feel. Use the active Eq to cut frequencies to represent the old school sounds, or use the EQ to boost the final gain stage to go into the heavily saturated and distorted tones of the future. Dial back the distortion, boost the volume and use the active EQ to find sparkling clear boost tones. Dime it all and get a ball molten lead that propels the Universe Throb. Needing a captivating presentation, we summoned the artwork of another underground legend, Arik Roper. We pulled together something pretty special and I think you all will like this one.

Quantum Mystic from Black Arts Toneworks (DEMO)

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Quantum Mystic overdrive (Black Arts Toneworks)

Quantum Mystic

The Sarcophagus takes two massive circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and LSTR are both present in the entirety with the addition of a toggle to reverse effect order. Pharaoh into LSTR or LSTR into Pharaoh. Built especially for the gain freaks, those who love more. More gain, more low end, more volume.

A pedal of unruly proportions, taking your tone to the underworld.

Black Arts Toneworks Sarcohphagus Fuzz Demo- Csounds

Sarcophagus

A revelation. Stripped down all out amp pusher. The Revelation has a trio of controls. Pre Gain, Gain, and Volume. LOTS of volume. Pre Gain sets the overall gain level of the device, the gain control dials in the correct amount of distortion and the volume knob absolutely slays the front end of your amp. Think of the Revelation as an extension of your amp’s pre section. Use it to push your amp into super creamy saturation, use it to boost your riffs into full and thick exaggerations of your amp’s base tone. The Revelation does not alter your tone, just makes MORE of it. Choose the Revelation to hammer your amp.

The SuperLead version of the Revelation is a rawer, more aggressive take on the circuit. A bit gnarlier, mid focused, aggressive sound. Specifically tuned for guitar, and baritone guitars, choose the SuperLead for a fuller, fatter, more saturated and aggressive sound.

The SuperBass version of the Revelation is a rounder, more dynamic take on the circuit. A bit bassier, gruffer, throatier sound. Works equally well for guitar or bass, choose the SuperBass for a fuller, fatter sound.

Black Arts Toneworks Revelation (Superlead & Superbass)

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Black Arts Toneworks Revelation Comparison Demo Video

Revelation

Loud. Raw. Thick. Incredible tone shaping.

The Priestess takes the best of the various versions of the BMP and combines them into a
singular sonic assault.

This anthology of circuit stages along with a mids control that goes from deep scoop to slightly
boosted mids and two toggles for control of clipping diodes gives tones from dynamic and open fuzz
to compressed singing sustain

Demo by Doctor Fuzz'z Dirt Box

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Priestess (Limited Copper)

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Pharaoh

Pharaoh by Black Arts Toneworks 

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