Loud. Raw. Thick. Incredible tone shaping.

The Priestess takes the best of the various versions of the BMP and combines them into a
singular sonic assault.

– 1st gain stage – Pharaoh. Higher headroom input results in great stacking possibilities
– 2nd gain stage – Green Russian results in a solid attack and bottom end
– 3rd gain stage – NYC Reissue with Creamy Dreamer Mod gives a high gain stage with a bit of squish
– Tone controls – Violet Ram’s Head for a pleasant vocal midrange
– 4th gain stage – LSTR. High Output

This anthology of circuit stages along with a mids control that goes from deep scoop to slightly
boosted mids and two toggles for control of clipping diodes gives tones from dynamic and open fuzz
to compressed singing sustain.

Tone – Full range tone control. Turn it left for low end emphasis, turn right for high end emphasis.
Mids – Turn left for supa-scooped sounds, right for mid presence.
With Tone full left and Mids full right, you can achieve the mid forward boost settings.
With Tone and Mids pointed towards each other, you’ll get scooped tones.

Left Toggle – controls clipping diodes on the 2nd stage. OFF bypasses the diodes for a Supa
Tonebender style clipping arrangement, Clip 1 for standard Silicon clipping.
Right Toggle – controls clipping diodes on the 3rd stage. OFF bypasses the diodes for an open and
dynamic sound like the Pharaoh bypass option, Clip 2 for standard silicon clipping.

You’ll find the Priestess the perfect counterpart to The Pharaoh.
Equally powerful
Equally adjustable
Equally effective

Product Page 

Product Demo 

Priestess

Sometime ago, Black Arts worked with Mike Scheidt from YOB to design a distortion pedal which addressed the shortcomings of his favorite distortion at that time, the Ross Distortion. We used his pedal as a starting point and by adding a three band active EQ between gainstages among other tweaks we achieved the desired tonality, aggression and volume boosting capabilities need to push amps and address EQ needs of changing rooms on tour. The active EQ can control low/mid/treble but being between gain stages it can boost those frequencies into more or less distortion as needed. Low gain settings were of great importance to us and we were able to dial in clarity and articulation to make it a useful toneshaper in both live and studio applications. Mike road tested the design and it was released as the Quantum Mystic OD. It was used on the 2014 YOB album ” Clearing the Path to Ascend “.

Product Review 

Black Arts Toneworks Raw Heart Overdrive - Joe Carpenter "In the Mix" Demo

Black Arts Toneworks Raw Heart OD - Mike Scheidt YOB Signature Pedal

Raw Heart OD

The Black Arts Coven takes two very useful circuits and combines them into one unit, saving space, cabling and powering. The Pharaoh and Black Forest are here in their entirety with the addition of a toggle to switch the order of the effects. Pharaoh into Black Forest or Black Forest into Pharaoh at the flick of a switch. A hugely useful tone shaping tool, the Coven is the joining of two forces to create a new unified path

Product Guide 

Black Arts Toneworks Coven Dual Fuzz Pedal Demo In B Standard

Black Arts Coven Demo

Coven

The Son stays true to the patriarch of the Pharaoh line. All of what you achieve with the Gold Standard Pharaoh, you will achieve with the Son of Pharaoh,with one exception:You will save pedalboard space. The Son has a footprint of 2.75×5 inches saving space on today’s crowded pedalboards.

The Son of Pharaoh has all familiar features of the Gold Standard Pharaoh and same sonic abilities. ALL parts and components are pulled from the same bins as the Gold Standard Pharaoh and Pharaoh Supreme. Sounds the same. Feels the same under your fingers, amps react the same. Same King Pharaoh tone, smaller Son stature.

Still handmade. Still handwired. Still the Pharaoh.

Son of Pharaoh

As classic as a plate of Nachos,a cerveza and a shot of Tequilla.
Three Cascading Gainstages.
Three Master Volumes.
This one can go from a slight sweet boost, edgy OD, classic 70s rock distortion to classic 70s and early 80s proto-metal crunch. Dime all three masters and get a gnarly oversaturated fuzz.
The Diablos respond well to guitar knob input so you can create layered gain working with your guitar and amplifier.

Guitar
Tres Diablos Ruidosos
Amplifier.

Keep it simple.
Keep it RocknRoll

RockBoard Artists

Aktivitäten Übersicht

Tres Diablos Ruidosos

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Weitere Pedals von Black Arts Toneworks

Black Arts Toneworks

Priestess

Black Arts Toneworks

Raw Heart OD

Black Arts Toneworks

Coven

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Son of Pharaoh

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