Der Resonant Filter Equalizer bietet eine einzigartige Klangregelung durch die Kombination eines Hochpassfilters, eines Tiefpassfilters und eines mittleren Equalizers. Beide Filter verfügen über einen eigenen Resonanzregler, der eine Anhebung der Cutoff-Frequenz ermöglicht und die Wirkung der Filter betont. Der semiparametrische Mitten-EQ verfügt über einen variablen Frequenzregler.

The Resonant Filter Equalizer creates unique tone control by combining a high pass filter, low pass filter, and middle equalizer. Both filters have their own resonance control, allowing a bump at the cutoff frequency, accentuating the effect of the filters. The semi-parametric middle eq includes a variable frequency control.

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Demo by codindebo

Review by Basschat

Review by Talk Bass

Resonant Filter Equalizer

The Scorpion is a highly adaptive overdrive pedal designed specifically with bassists in mind. The Scorpion stands out by implementing a resonant feedback circuit, allowing the dynamics and punch of your clean signal to come through without the need for a clean blend. Unlike most overdrives that offer a baked-in signature tone, the Scorpion can be transparent or transformative. Allow your inherent tone to shine, or reshape it entirely into a powerful, cutting bass tone.

The Depth knob gives complete control of the low frequency clipping, ranging from a lean, grindy tone, all the way to a full on bass distortion. Increasing the Depth knob allows more lows to be clipped, making the signal thicker and heavier.

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Demo by Michael Shapinko

Demo by Ben Bennett

Scorpion

Das Low Pass Filter-Pedal kann dazu verwendet werden, raue Höhen, wie z. B. das Summen von Bünden, Saitengeräusche und Artefakte von anderen Effekten, wie z. B. Verzerrerpedalen, zu dämpfen. Es ist auch nützlich, um den Hochtonabfall von Lautsprecherboxen zu simulieren. In seiner extremsten Einstellung kann der Tiefpassfilter ein Bassgitarrensignal in einen Low-End-Dub-Sound verwandeln.
Der Tiefpassfilter ist ein Hochfrequenzfilter mit 12 dB pro Oktave. Der Drehregler steuert die Cutoff-Frequenz und reicht stufenlos von 15 kHz bis 220 Hz.

The Low Pass Filter pedal can be used for taming harsh high end such as fret buzz, string noise, and artifacts from other effects such as distortion pedals. It is also useful for simulating the high frequency roll-off of speaker cabinets. At it's most extreme setting, the Low Pass Filter can turn a bass guitar signal into a low end dub tone.
The low pass filter is a 12 dB per octave high frequency filter. The knob controls the cutoff frequency and ranges continuously from 15 kHz to 220 Hz.

Low Pass Filter

The Phase Locked Loop (PLL) is a fuzz/synth pedal with parallel Multiplier and Divider harmonies. Create thick fuzz tones with complimentary harmonies, or let the PLL go wild with crazy glissandos and dive bombs. This all analog pedal is amazingly fun and probably even useful.

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Demo by Zachary Rizer

Phase Locked Loop

The Calamity is an homage to the Civil War fuzz, with many added features to expand the usability of this classic design.

Many bass players turn to the Civil War variant of the Big Muff Pi fuzz circuit due to it's excellent low end response and heavy distortion tones. The Civil War can be a bit of a one-trick pony, and it usually sounds best with a passive bass. The Calamity is a tribute to the strengths of the Civil War fuzz, but with many improvements that give bass players a pallette of distortion tones.

High impedance input - can be used with active or passive basses
Low passed blend - blend in your lowest clean tones for even more low end punch
Variable mids - scoop the mids like in the stock circuit, or add them back in
Three clipping modes give a variety of distortion tones
Very low noise compared to traditional BMP designs
Low impedance output - behaves well with other pedals, preamps, and amplifiers
Accepts up to 24V DC

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Weitere Pedals von Broughton Audio

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Resonant Filter Equalizer

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Scorpion

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Low Pass Filter

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Phase Locked Loop

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