Combines a high pass filter, low pass filter, and middle equalizer

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Resonant Filter Equalizer

The Studio Boost Mini is the same Neve transistor gain stage used in the Studio One, capturing the same high fidelity tone in a smaller format. The Studio Boost Mini varies from -∞ (off) to +20 dB when using a 9V supply. Higher voltages will provide slightly higher gain and more clean headroom. 

Review by reddit /basspedals

Studio Boost mini

The Filter FX Loop is a utility pedal used for mixing any external effect with your clean signal while offering filtering, level, and phase controls for further tone shaping.

 The Filter FX Loop works by splitting your signal into two parallel paths: Clean and Effect.

The Clean path has LPF and Level controls (white knobs).
The Effect path has HPF, LPF and Level controls (blue knobs) as well as a phase switch. The HPF is placed before the effect, while the LPF, Level, and Phase controls are post effect.
The two signals are summed together and sent to the output.
 
The filters can be used to alter the feel and performance of an effect. Experiment with your effects to find new possibilities.

Filter FX Loop

The Synth Voice is an original analog octaver that has extraordinary tracking, huge headroom, and heavy-hitting synthesized tones. This Deluxe model improves upon the original by increasing sustain, as well as adding active filters to shape the tone of each voice.
The Synth Voice Deluxe detects your input signal frequency and generates a synthesized tone at the same fundamental frequency. The volume of this signal is controlled by the SYNTH knob. The synth signal is perfect for adding heft to your clean signal, or changing your clean signal to a completely different voice.

Review by Talk Bass.com

Demo by Edward Brown

Demo by jdjk7

Synth Voice Deluxe

The Calamity is an homage to the Civil War fuzz, with many added features to expand the usability of this classic design.

Many bass players turn to the Civil War variant of the Big Muff Pi fuzz circuit due to it's excellent low end response and heavy distortion tones. The Civil War can be a bit of a one-trick pony, and it usually sounds best with a passive bass. The Calamity is a tribute to the strengths of the Civil War fuzz, but with many improvements that give bass players a pallette of distortion tones.

High impedance input - can be used with active or passive basses
Low passed blend - blend in your lowest clean tones for even more low end punch
Variable mids - scoop the mids like in the stock circuit, or add them back in
Three clipping modes give a variety of distortion tones
Very low noise compared to traditional BMP designs
Low impedance output - behaves well with other pedals, preamps, and amplifiers
Accepts up to 24V DC

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Weitere Pedals von Broughton Audio

Broughton Audio

Resonant Filter Equalizer

Broughton Audio

Studio Boost mini

Broughton Audio

Filter FX Loop

Broughton Audio

Synth Voice Deluxe

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