The Messenger is a high fidelity instrument preamplifier, perfect for the studio, live performances, or practicing at home. The preamp offers a wide array of features in a compact, easy to use format.

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Review by Talk Bass.com

Messenger DI

The Locust Star is an homage to the classic LM308 Rat distortion, combining an array of upgrades that make this one highly versatile dirt pedal. It is a small batch pedal and will be limited in production.

The tone control of a distortion pedal can drastically change the character. A simple passive filter can only provide one dimension of tonal range. The Locust Star instead uses an active shelving EQ, creating far more possible tonal profiles. The Bass control provides more than enough low end for bass players--no clean blend is needed. The Treble control ranges from bright and raspy all the way to a dark and warm tone. To get a mid-forward tone, turn both EQ knobs down and boost the volume. To get a mid-scooped tone, turn both EQ knobs up and lower the volume. The EQ is flat with both knobs at noon.

Demo by Yaksonator

Demo by jdjk7

Locust Star

The Subsonic Analog Octaver is a recreation of the classic OC-2. Starting with the original circuit and components, the Subsonic improves upon the OC-2 with the removal of the active bypass circuitry. The output passive mixer has been replaced with an active mixer, allowing for signals to go well above unity gain. And finally, the Subsonic allows for higher input voltages (up to 18V) for even more headroom for hotter signals. The Subsonic is faithful to the original tone of the OC-2 while adding modern upgrades that make it even more useful.

Subsonic

The JoshWah is an envelope filter (auto-wah) with a gain stage on the input for increased harmonics and envelope detection. It uses a resonant low pass filter for fast up-sweeps. 

Review by Bass Musician Mag

Demo by SzymanskiBass

Demo by Zachary Rizer

JoshWah

The Filter FX Loop is a utility pedal used for mixing any external effect with your clean signal while offering filtering, level, and phase controls for further tone shaping.

 The Filter FX Loop works by splitting your signal into two parallel paths: Clean and Effect.

The Clean path has LPF and Level controls (white knobs).
The Effect path has HPF, LPF and Level controls (blue knobs) as well as a phase switch. The HPF is placed before the effect, while the LPF, Level, and Phase controls are post effect.
The two signals are summed together and sent to the output.
 
The filters can be used to alter the feel and performance of an effect. Experiment with your effects to find new possibilities.

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Filter FX Loop

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Messenger DI

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