The Omnicomp is a fully featured optical compressor that combines the precision and clarity of the Apex with the presence and tone of the Monocomp. The Omnicomp is so flexible it can be used on a pedal board for live use, or in a studio for precision compression for all of your tracks.

 The Omnicomp is built with an internal 30 volt regulated supply to be able to cleanly and clearly handle signals all the way up to line level. The audio path is driven by a Burr Brown op amp for superior audio performance and extremely low noise. The compression element is a vactrol--an optical element that provides musical compression that is easy dial in.

 The side chain of the Omnicomp contains a gentle high pass filter that gets more steep for very low frequencies. This is tuned so that bass heavy instruments will not overly trigger the compression. Bass, guitar, drums, and vocals all work well with this compressor, with very even compression across their bandwidth.

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Omnicomp

The Silver Deluxe is a JFET boost with a Fender tone stack EQ. The JFET topology adds some character to your signal, while the passive EQ delivers the familiar response found on many classic tube amps.

The EQ is an exact recreation of the Fender tone stack with Mids. It is also the same as the Alembic F2B.

The Silver Deluxe is designed to produce mild JFET overdrive when pushed. This is achievable with instrument level signals, and powering the pedal with a 9V supply. For a clean output, it is recommended to use a higher supply voltage.

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Silver Deluxe

Combines a high pass filter, low pass filter, and middle equalizer

Resonant Filter Equalizer

The Studio Boost Mini is the same Neve transistor gain stage used in the Studio One, capturing the same high fidelity tone in a smaller format. The Studio Boost Mini varies from -∞ (off) to +20 dB when using a 9V supply. Higher voltages will provide slightly higher gain and more clean headroom. 

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