Das Carl Martin Panama Overdrive-Pedal ist ein High-Gain-Verzerrungspedal, das klassische Overdrive-Töne im Stil der 1980er Jahre wiedergibt. Es verfügt über eine einzigartige „Dämpfungs“-Steuerung, mit der Spieler den Ton im Handumdrehen anpassen und die Klangfarbe des Overdrives ihren Vorlieben entsprechend einstellen können.

Mit dem Panama Overdrive können Sie zwischen aggressiver, schneidender und klarer Verzerrung (erhöhte Dämpfung) und tieferer, dickerer und basslastiger Verzerrung (verringerte Dämpfung) wechseln. Diese Vielseitigkeit macht es zu einer ausgezeichneten Wahl für Gitarristen, die ein dynamisches Verzerrungspedal suchen, das eine Reihe von Musikstilen bewältigen kann.

The Carl Martin Panama Overdrive pedal is a high-gain distortion pedal designed to deliver classic 1980s-style overdrive tones. It features a unique “Damping” control that allows players to customize the tone on the fly, adjusting the timbre of the overdrive to suit their preferences.

With the Panama Overdrive, you can switch between aggressive, cutting, and clear distortion (increased damping) to deeper, thicker, and bass-heavy distortion (decreased damping). This versatility makes it an excellent choice for guitarists seeking a dynamic distortion pedal that can handle a range of musical styles.

Demo by Alberto Barrero

Demo by SRGuitar

Review by Harmony Central

Review by The Gear Page

Review by AMAZONA

Review by bonedo

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panama

Der Carl Martin Ottawa ist ein Envelope-Filter, der den Sound eines Wah-Pedals nachahmt, ohne dass Sie auf ein Wah-Pedal treten und diese Frequenzen manuell einstellen müssen.  Ein wirklich großartiges Pedal für Solos und Rhythmusarbeit, egal ob Sie auf die psychedelischen 60er Jahre oder die Disco-Ära der späteren 70er Jahre stehen, oder jede andere Musik, die diesen einzigartigen Sound erfordert.  Es gibt 3 Voreinstellungen: Hoch-, Band- und Tiefpassfilter, Einstellungen für Bandbreite und Attack sowie Pegel und Ton.

The Carl Martin Ottawa is an envelope filter that mimics the sound of your wah pedal without you having to step on a wah pedal and adjust those frequencies manually.  Really a great pedal for solo-ing and for rhythm work, whether you are into ‘those’ psychedelic 60’s, or the disco era of the later 70’s, or any other music that requires this unique sound.  There are 3 presets which are High, Band and Low Pass filters, adjustments for bandwidth and attack as well as level and tone.

Demo by TheGuitarGeek

Ottawa

As musicians, we sometimes have to supply ‘more’ gear, in order to adequately meet the demands of a show.  The Carl Martin Route Box helps simplify some of those situations. For instance, you might find yourself with two guitars, two amps and one pedal-board.  By plugging each guitar into each Instrument In, out to the pedal-board and then back from the pedal-board to the Input, and finally from Amp 1 & 2 Out to each of the amplifiers, you have full use of your pedal-board while using either Guitar 1 or 2 through Amp 1 or 2…..genius!

Review by Premier Guitar

Route Box

The new `single channel` Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete’s slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone….it just plays better with different amps.

Review by TonePedia

Demo by Colemans Music

Demo by Pete Thorn

PlexiTone Single

With classic guitar tone disappearing down the road of digital modeling amps and effects, Carl Martin is proud to introduce the Quattro….four of the most popular Carl Martin effects in one package.
The Quattro begins with Carl Martin’s award winning Compressor/Limiter circuit with single controls for compression and level. The Two-Channel Overdrive has switches for on-off, and for selecting between the crunch and high-gain stages, and controls for tone and level. In classic fashion, the Vintage Chorus has a speed and a depth control. Finally, the vintage style Echo has controls for level, tone, repeat and tap-tempo, as well as an on-off switch. No hard to read screens, no menus to scroll through, just set-up and play. There is no simpler multi-effect on the market! 

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