The new `single channel` Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete’s slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone….it just plays better with different amps.

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Review by TonePedia

Review by AMAZONA

Manual

Demo by Colemans Music

Demo by Pete Thorn

PlexiTone Single

Das Carl Martin Panama Overdrive-Pedal ist ein High-Gain-Verzerrungspedal, das klassische Overdrive-Töne im Stil der 1980er Jahre wiedergibt. Es verfügt über eine einzigartige „Dämpfungs“-Steuerung, mit der Spieler den Ton im Handumdrehen anpassen und die Klangfarbe des Overdrives ihren Vorlieben entsprechend einstellen können.

Mit dem Panama Overdrive können Sie zwischen aggressiver, schneidender und klarer Verzerrung (erhöhte Dämpfung) und tieferer, dickerer und basslastiger Verzerrung (verringerte Dämpfung) wechseln. Diese Vielseitigkeit macht es zu einer ausgezeichneten Wahl für Gitarristen, die ein dynamisches Verzerrungspedal suchen, das eine Reihe von Musikstilen bewältigen kann.

The Carl Martin Panama Overdrive pedal is a high-gain distortion pedal designed to deliver classic 1980s-style overdrive tones. It features a unique “Damping” control that allows players to customize the tone on the fly, adjusting the timbre of the overdrive to suit their preferences.

With the Panama Overdrive, you can switch between aggressive, cutting, and clear distortion (increased damping) to deeper, thicker, and bass-heavy distortion (decreased damping). This versatility makes it an excellent choice for guitarists seeking a dynamic distortion pedal that can handle a range of musical styles.

Demo by Alberto Barrero

Demo by SRGuitar

Review by Harmony Central

Review by The Gear Page

Review by bonedo

panama

Pro Power V2

Have you ever wanted two distinctly different vintage ‘wah’ sounds at your feet?   Perhaps you wished for a brighter wah for rhythm work and a deeper, darker wah for leads; and the ability to switch back and forth quickly?  Well, Carl Martin has been busy creating your wish; the 2Wah.  This familiar looking, retro-styled pedal, has an all-metal casing with a non-slip foot pad.  It can be powered by 9v battery, but we always recommend using a regulated power supply (like the Carl Martin Big John Power Supply) for maximum headroom and effect. Input is on the right and output on the left (remember your Wah should be the first pedal in your chain), and the standard effect on-off by stepping on the front of the rocker to engage the true bypass on-off switch.

Review by Gitarre & Bass

Review by musicradar

Demo by Pete Renzo Rockz

Demo by Brian Johnston

2Wah

Carl Martin Compressor-Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.
General Guidelines on the use of the Compressor/Limiter:
Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.
Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.
Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.
Gain: Working clockwise, sets the overall gain.Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.You can find more detailed information under manuals.

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