Das Carl Martin DeLayla XL wurde mit einem Ziel vor Augen entworfen und entwickelt: Ein überragendes Echo-Pedal zu schaffen, mit der gleichen Klangqualität wie das ursprüngliche DeLayla, aber mit neuen, erweiterten Funktionen, aber mit einigen der gleichen Funktionen, die in alten Bandverzögerungsgeräten verwendet werden. Um dies zu erreichen, wurde ein zweiter Delay-Head (Slapback) implementiert (ähnlich der Verwendung von zwei Köpfen gleichzeitig bei einem Tape Delay).

The Carl Martin DeLayla XL is designed and developed with one goal in mind: To create a superior echo pedal, with the same sonic quality as the original DeLayla but with new extended features, yet incorporating some of the same features used in vintage tape delay units. To achieve this, a second delay head (slapback) (similar to using two heads simultaneously on a tape delay) was implemented.

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Manual

Delayla XL

Der Jubiläums-Hot Drive'n Boost MK3, mit einem komplett neuen Overdrive-Design, das einen noch authentischeren „Röhren“-simulierenden Overdrive liefert als der originale HDB, der als einer der besten bekannt ist.
Der neue HDB MK3 klingt wie ein aufgemotzter Qualitäts-Röhrenverstärker, und im Gegensatz zu fast allen anderen Overdrive-Pedalen verändert er nicht den Originalton, hat keine Mittenausprägung, kein Abschneiden der Bässe, kein Abschneiden der Höhen, all das gibt ihm den Klang eines klaren, brillanten Röhren-Drives, der ihm eigen ist.
Mit der BOOST-Funktion ist der Hot Drive'n Boost MK3 ein „TWO IN ONE“-Pedal. Damit kannst du den extra „Kick“ (bis zu 20db) für Soli bekommen, um wirklich hervorzustechen.
Der Hot Drive'n Boost MK3 hat eine eingebaute regulierte (+-12V) Stromversorgung. Dies ermöglicht es uns, Schaltungen von höchster Qualität mit maximalem Headroom zu entwickeln.
Die niedrige Ausgangsimpedanz sorgt für eine rauscharme Verbindung und verbessert die Arbeitsbedingungen für den Gitarrenverstärker.

The anniversary Hot Drive’n Boost MK3, featuring a complete new overdrive design that gives a even more authentic “tube” simulating overdrive than the original HDB, which is know to be one of the best.
The new HDB MK3 sound like a tweaked up quality tube amp, and on contrary nearly every other overdrive pedal does it not change the original tone, has no midrange pronouncement, no low end cut of, no high end cut of, all that gives a tone of a clear brilliant tube drive of it’s own.
With the BOOST feature the Hot Drive’n Boost MK3 is a “TWO IN ONE” pedal. That allows you to get that extra “kick” (up to 20db) for solos to really stand out.
The Hot Drive’n Boost MK3 has a built in regulated (+-12V) power supply. This enables us to design circuitry of the highest quality with maximum headroom.
The low output impedance insures a lo noise connection, and gives improved working conditions for the guitar amp.

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Demo by Alberto Barrero

Hot Drive 'n Boost mk3

Ok, so you have eight effects pedals which you use regularly. You use various combinations of these pedals in various songs, but you are not good at tap dancing…or you are just clumsy and have (once or twice) stepped on the ultra tricked out-metalized-distortion pedal for the lead in your one ABBA cover. You have seen the digital effects controllers they use on the big stages, and have secretly yearned for one… even though you may never make the big stage. Enter Thomas Guldmann’s Octa-switch MK3. Your eight effects plug into the eight effects-loops on the back of this unit (all true-bypass, impedance free, gold relays so you can run any of your pedals, new and old without problem), and then by turning on or off the numbered switches in each of eight DIP Bank switches, you determine which effects you wish to use simultaneously in each Bank. There is a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). The Octa-switch MK3 has incorporated a couple new features as well! The ninth switch on the left side of the case is a BYPASS Switch….this allows you to completely bypass all eight pedals and enjoy only the unaffected sound of your amplifier. There are also two External Switching jacks which allow you to use two amplifiers and/or switch channels on those amps. Once you have all the Banks programmed, we recommend placing a piece of scotch or electrical tape over each DIP (….just to protect the switch from accidental switching, damage or floods….like beer). There is a buffered (or not….switchable) Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply…like the PowerJack or the Pro Power (both by Carl Martin).

Demo by ukguitarnoodle

Octa-Siwtch

Der Carl Martin Rock Bug ist ein Verstärker-/Lautsprechersimulator und Kopfhörer-Probegerät, das mit einer einzigen 9-V-Batterie betrieben wird. Obwohl diese Art von Zubehör nicht neu ist, glauben wir, dass es nichts auf dem Markt gibt, das sich so echt anfühlt oder so realistisch klingt wie der Rock Bug! Man hat einfach das Gefühl, dass man durch einen guten Röhrenverstärker spielt. Schließe einfach deine Gitarre (mit oder ohne Pedale) an den unsymmetrischen ¼„-Eingang an, schließe deinen Lieblingskopfhörer an den unsymmetrischen ¼“-Ausgang an und los geht's!

The Carl Martin Rock Bug is an Amp/Speaker Simulator and Headphone rehearsal unit that operates on a single 9v battery. Although this type of accessory is not new, we believe there is nothing on the market that feels as real or sounds as realistic as the Rock Bug! You simply get the feeling that you are playing through a good tube amp. Just plug your guitar (with or without pedals) into the unbalanced ¼” input, plug your favourite headphones into the unbalanced ¼” output and off you go!

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Rock Bug

As musicians, we sometimes have to supply ‘more’ gear, in order to adequately meet the demands of a show.  The Carl Martin Route Box helps simplify some of those situations. For instance, you might find yourself with two guitars, two amps and one pedal-board.  By plugging each guitar into each Instrument In, out to the pedal-board and then back from the pedal-board to the Input, and finally from Amp 1 & 2 Out to each of the amplifiers, you have full use of your pedal-board while using either Guitar 1 or 2 through Amp 1 or 2…..genius!

Review by Premier Guitar

Route Box

Route Box by Carl Martin

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