Ok, so you have eight effects pedals which you use regularly. You use various combinations of these pedals in various songs, but you are not good at tap dancing…or you are just clumsy and have (once or twice) stepped on the ultra tricked out-metalized-distortion pedal for the lead in your one ABBA cover. You have seen the digital effects controllers they use on the big stages, and have secretly yearned for one… even though you may never make the big stage. Enter Thomas Guldmann’s Octa-switch MK3. Your eight effects plug into the eight effects-loops on the back of this unit (all true-bypass, impedance free, gold relays so you can run any of your pedals, new and old without problem), and then by turning on or off the numbered switches in each of eight DIP Bank switches, you determine which effects you wish to use simultaneously in each Bank. There is a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). The Octa-switch MK3 has incorporated a couple new features as well! The ninth switch on the left side of the case is a BYPASS Switch….this allows you to completely bypass all eight pedals and enjoy only the unaffected sound of your amplifier. There are also two External Switching jacks which allow you to use two amplifiers and/or switch channels on those amps. Once you have all the Banks programmed, we recommend placing a piece of scotch or electrical tape over each DIP (….just to protect the switch from accidental switching, damage or floods….like beer). There is a buffered (or not….switchable) Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply…like the PowerJack or the Pro Power (both by Carl Martin).

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Review by bonedo

Manual

Demo by ukguitarnoddle

Demo by EytschPi42

Octa-Switch MK3

Das Carl Martin Panama Overdrive-Pedal ist ein High-Gain-Verzerrungspedal, das klassische Overdrive-Töne im Stil der 1980er Jahre wiedergibt. Es verfügt über eine einzigartige „Dämpfungs“-Steuerung, mit der Spieler den Ton im Handumdrehen anpassen und die Klangfarbe des Overdrives ihren Vorlieben entsprechend einstellen können.

Mit dem Panama Overdrive können Sie zwischen aggressiver, schneidender und klarer Verzerrung (erhöhte Dämpfung) und tieferer, dickerer und basslastiger Verzerrung (verringerte Dämpfung) wechseln. Diese Vielseitigkeit macht es zu einer ausgezeichneten Wahl für Gitarristen, die ein dynamisches Verzerrungspedal suchen, das eine Reihe von Musikstilen bewältigen kann.

The Carl Martin Panama Overdrive pedal is a high-gain distortion pedal designed to deliver classic 1980s-style overdrive tones. It features a unique “Damping” control that allows players to customize the tone on the fly, adjusting the timbre of the overdrive to suit their preferences.

With the Panama Overdrive, you can switch between aggressive, cutting, and clear distortion (increased damping) to deeper, thicker, and bass-heavy distortion (decreased damping). This versatility makes it an excellent choice for guitarists seeking a dynamic distortion pedal that can handle a range of musical styles.

Demo by Alberto Barrero

Demo by SRGuitar

Review by Harmony Central

Review by The Gear Page

Review by AMAZONA

panama

The CARL MARTIN Noise Terminator is a 9V-battery-powered pedal designed to preserve the original tonal characteristics while removing unwanted noise that occurs when multiple effects are used. 
The CARL MARTIN Noise Terminator surpasses the performance of conventional noise gates by allowing the player to switch between two threshold settings: Soft - with less noisy equipment: Hard - when more radical settings are required. 
The remote jack allows you to connect the Noise Terminator to an external midi switching system, which allows the player to go between the soft and hard settings with ease.

Sound Demo by Sasha Heartofsoul

Noise Terminator

Pro Power V2

Trem(olo) is basically defined as a cyclical variation of volume controlled by a low frequency oscillator, or for us guitar players…something that makes the guitar sound oscillate between quiet and loud either quickly or slowly….. Made famous in the 50’s and 60’s by bands like the Shadows and Dick Dale for that infamous ‘surf sound’, the Trem stuck around for many other guitar greats like Robin Trower, Hendrix and Page, right up to SRV and beyond. The Carl Martin Surf Trem has simplified the whole effect to 2 simple controls (just like the trem circuit on our vintage Fenders and Ampegs), Depth and Speed. The Depth knob controls how much of the effect you want in your guitar signal, and the Speed knob obviously controls the speed of the oscillation.

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