If you’re reading this, you must be getting ready to party like it’s 1983.

We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES!

This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.

Review by effectsdatabase

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Demo by Pedal of the Day

Demo by The Pedal Zone

Kilobyte Lo-Fi Delay

Review by Premier Guitar

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Presentation by Caroline Guitar Company

Demo by ProGuitarShopDemos

Haymaker Dynamic Drive

nspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.

We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…

Demo by Telluride Music Co.

Demo by Knobs

Review by Musiker-Board

Review by The Gear Page

Meteore Black

From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy sounding stuff was actually the easy part for us. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie sounds you can make with this thing, we encourage you to explore the subtleties of how each control interacts with the others, and the remarkable range of sounds that you can quickly and intuitively dial in. Gentle, lagging vibrato, 1980s style choruses, and even some doubling effects are possible…and then, turn up & go wild again.

SOMERSAULT™ applies a similar framework as our popular KILOBYTE™ and MÉTÉORE™ pedals. While the digital chip sets the delayed wet signal, the initial gain stage, dry signal, LFO, control set and output mixing stage are entirely analog. The end result sounds rich and fat, with the same robust feel and power our customers have come to expect from our work.

Demo by Megan L

Somersault Lo-Fi Modulator

When we talked about doing a special "California Pizza" for our good friends at Cottonwood Music, we initially resisted the idea, as we didn’t want to make a pedal that might make you feel like you’re stuck eating a thin crust pizza at the airport for a layover. We wanted to offer our distinctive pizza fuzz drive, but with a late 1980s California flair and sound. We’re talking small town kids with big dreams and bigger hair arriving on the Sunset Strip. Doing the Neutron Dance. Beverly Hills Cop II. Shiny, but also dirty on the underside. Think back to Night Flight, Cannon Films productions, "tastefully" airbrushed photos and bands touring with road cases of ozone depleting hair-spray. Now *that’s* the spirit of the CALIFORNIA 'ZA

We tweaked the internals with the gain control of our Hawaiian Pizza and used some VERY high gain transistors to give this thing lots of extra heat, extra hair, and extra shine, 80s California style. Keep the "Bear" control low and it’s actually bright and sparkly at the (relatively) lower gain settings. Feed those chord strums to your rack unit choruses and delays and write a power ballad for all the slow dances at the prom. Turn it all the way up and it’s chewy and roaring just like our Hawaiian Pizza fuzz but with some extra nastiness bordering on profane. But roll it back just a touch, and surprise! You’re getting the sound of peeling out of the suburban shopping malls in your IROC-Z, jean jacket and Vuarnets, cause nobody in that food court’s gonna tell you what to do! And with that "Cocktails and Dreams" colorway and graphics, your pedal board is going to appreciate that shot of polish and danger that the California 'Za is gonna bring.

Should you want those wooly, nouveau classic Pizza tones, starve the palm trees, crank the bear, and get those broken fuzz sounds. If the California 'Za can’t be the first pedal in your signal chain, fear not: just switch the internal pickup simulator on and you’ll be ready for stacking with other pedals or even having a wireless system before this thing.

Review by reddit /guitarpedals

California 'ZA

California 'ZA by Caroline Guitar Company

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California 'ZA

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