A phaser even for people who don't normally like phasers, Arigato™ delivers incredible modulation, range, and warmth. 

ARIGATO neither seeks to recapture the sounds of the past, nor to be state of the art. It is a snapshot of a future we were promised as children. It is our way of saying thank you to customers who for years asked us for a phaser. (Really? A phaser???)

While capable of the airy psychedelia of classic units, this one is meant to rumble, wobble, shake, rattle, and roar. It is also capable of going fully wet for interesting vibrato sounds, max feedback for auto-wah sweeps, and a wide range of responsive shades throughout each control as they interact with the others.

We’re pretty excited about this release; the first pedal Philippe ever owned was a phaser, our team is a bunch of phase shifting nuts, and releasing this feels like coming home.

For those of you who didn't think you'd like a chorus, but fell in love with our Somersault™ pedal - we think you're going to really love this thing too. While we love classic one-knob units and their ALL CAPS WHOOSH approach to phasing, there's a world of subtle shading and different movement to be explored, and Arigato is here for it.

Review by guitar pedal X

Review by Russo Music

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Demo by Noise Generator

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Arigato Phaser/Vibrato

Buffer, booster, and rich overdrive all in one, with a mix of Russian germanium sweetness.

It’s 1972. A Soviet surveillance microphone preamp has made its way west thanks to a courageous defector. The nascent, nefarious, and invisible Caroline Corporation obtains it and converts it into devices for military psychoacoustic special operations, then covertly delivers them to legendary users with fame and influence for evaluation.

Decades later, the Corporation’s hilariously neglected “Guitar Company” satellite office, blissfully unaware that their parent company has dissolved decades earlier, discovers the schematic and parts specifications. They source some discontinued Russian “unobtanium” diodes and recreate its special flavor.   

There is no evidence that any of the above has or has not happened. So anyway, here’s  ICARUS™. It is “sonic awesomeness” based on our PARABOLA and MÉTÉORE preamps.

Review by reddit /guitarpedals

Demo by Buddy Blues

Demo by JHS

Icarus V2

The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units.

It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off.

Review by Pedal of the Day

Demo by Old Blood Noise Endeavors

Demo by Pete Thorn

Wave Cannon MKII

nspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb.

We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. You know, something something power, responsibility, blah blah blah…

Demo by Telluride Music Co.

Demo by Knobs

Review by Musiker-Board

Review by The Gear Page

Meteore Black

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch. Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Demo by The Pedal Zone

Demo by CarolineGuitarCo

Shigeharu

Shigeharu by Caroline Guitar Company

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Weitere Pedals von Caroline Guitar Company

Caroline Guitar Company

Arigato Phaser/Vibrato

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Icarus V2

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Wave Cannon MKII

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Meteore Black

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