After spending some time on the operating table, we are proud to release the Callisto MKII, back and better than ever. We’ve painstakingly recreated the robust engine of our original and added in some extra features, too. For starters, the Callisto MKII is still 100 percent analog just like the original for some classic trembling warmth you can really feel. Just how much wobble you want can be dialed in with the Mix control, which achieves 100 percent wet or dry in either direction. Turning it all the way up delivers a wonderfully-tuned pitch vibrato that can add some spice to your solos or some disorienting tape-like warble for your next bedroom pop record. Classic Rate and Depth controls go beyond the basic two-knob chorus and into hi-fi territory that makes your guitar shine and sound equally great for both lead and rhythm applications, or any other instrument you find may be lacking in thickness. 

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Review by Guitar World

Review by musicradar

Manual

Demo by Pedal To The Metal

Demo by JayLeonardJ

Callisto MK II

In 1970 Led Zeppelin hit the stage of London's historic concert hall, Royal Albert Hall. We love the RAH performance and were inspired by a friend to capture it in a pedal.
At this performance Jimmy Page expressed himself masterfully with a broad pallet of tones and GIANT dynamic range. Of course this has a lot to do with Page’s playing technique and Gibson Les Paul. His backline amps, custom Hiwatt heads into Marshall cabinets filled the entire hall with a cornucopia of colors at levels ranging from a mouse whisper to rave ups louder than a jumbo jet taking off only inches over your head.

Review by reddit /guitarpedals

Review by mylespaul

Demo by N Stuff Music

Demo by Reverb

Classic gnarly garage fuzz. From The Ventures' "2,000 Pound Bee", and Iron Butterfly's "In-A-Gada-Da-Vida", to the Black Keys, the Fuzzrite has a rich history of taking guitar tones to new levels. We've brought the classic silicon circuit back, and added a 9v power supply. 

Review by Premier Guitar

Demo by David Kox

Demo by Austin Guitar House

Fuzzrite

The CB Tap is an external tap tempo mechanism that was built to connect to the Belle Epoch Deluxe. The CB Tap not only adds tap functionality to the Belle Epoch Deluxe, but also connects to anything with a tap-tempo out (excluding Boss pedals and other non normally-open taps).

Demo by Brett Kingman

CB TAP

The heart and soul of the Dreamcoat is a near-exact recreation of the preamp circuit from the Aiwa TP-1011 reel-to-reel deck that can be found in '60s and '70s classic rock recordings. All of the functionality of that unit is present, from sparkling cleans to powerful crunch and glassy leads, but the “Sat” control gives you an extra layer of grunt, allowing the Dreamcoat to range between near-dry tonal indifference to complete “melting-amp” Neil Young-esque tweed sounds. A certain classic rock sound wasn’t just a tape deck, though. The famous user of this tape deck also installed a passive inductor-based frequency “booster” into his guitar that cut both sides of the spectrum around the resonant frequency of their guitar pickups, giving the appearance of a frequency boostinstalled a passive inductor-based frequency “booster” into their guitars that cut both sides of the spectrum around the resonant frequency of their guitar, giving the appearance of frequency boost. To that end, we’ve added a frequency booster circuit that doesn’t cut anything, giving you a richer tone with a little oomph where it counts.

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