Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.

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Adineko

The Catalinbread NiCompressor takes the sound of a legendary vintage circuit for unmistakable timbre and extensive sound options. The compression control adjusts the level of compression in a straight line so that the sweet spot can be found quickly and intuitively, whilst the Gain control provides harmonic overdrive if desired. The Catalinbread NiCompressor also features a 2-band tone control that lets you precisely tune the sound.

Nicholas Harris, founder of Catalinbread Effects, died on Wednesday after a tree fell onto his car 
this was like the last of his circuits and they are calling it Nic Compressor.. -let that sink in

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NiCompressor

The Formula No. 55 is a Foundation Overdrive that reproduces, in exact detail, the preamp section of the classic Fender™ tweed 5E3 Deluxe using an all-discrete JFET-based signal path. The Volume and Tone controls replicate, part for part, the circuitry of the 5E3, giving you authentic tweed amp response. The output section is designed to give you punch and volume with a low output impedance to drive your amp perfectly. Set the Hi-Lo button to "Lo" for the cleaner response of a vintage tweed. "Hi" is like hot rodding your amp by swapping in higher gain tubes.

Demo by Verdilac Sound

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FORMULA NO. 55

Ever modest, Catalinbread describes their Tribute Low-gain Overdrive / VariOboost as “a pedal that literally every guitarist needs.” While we get the sense they might be being somewhat facetious, after testing the Tribute out at Sweetwater, we discovered that it’s a stunningly touch-sensitive dirt pedal that’s worthy of a home on any OD fanatic’s board! The Tribute’s all-analog design is modeled after an earlier Catalinbread favorite, the VariOboost, to offer an exceptionally high-headroom drive engine coupled with a one-band parametric EQ for incredible tone-shaping possibilities. From powerful low-end rhythm crunch to sparkly boosted leads on the cusp of breaking up, the Catalinbread Tribute is a uniquely simple-yet-powerful spin on the OD formula.

Review by bonedo

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Review by The Gear Page

Tribute

At the heart of the Stereo Semaphore is a lush audio path that incorporates optically controlled JFET gain stages to sculpt a gorgeous clean boost sound, that is present and alive without being peaky or harsh. We've quadrupled the number of waveforms, everything is in there from classic square, triangle, and sine waves to ramping sounds, and a mind-bending random shape. And in conjunction with the Shape contour, which morphs the waveshape, numerous waveforms are waiting to be unlocked. The Stereo Semaphore sounds fantastic whether you are running it mono or stereo, and the Tap Tempo section is engaging and easy to use. We've even included a control voltage input and output, to slave or master the tap tempo on future Catalinbread pedals with Tap Tempo functions.

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