The CKK Electronic Infinite Reverb Pedal delivers a digital reverb effect that is multi-parameter adjustable to provide a wide variety of tones. Since the Infinite Reverb was created in 2013, it has been updated twice and this model features quality tones as well as excellent build quality. The Infinite Reverb has an adjusted frequency response, to suit the guitar's tone and become more natural and clear. The Infinite Reverb Pedal is equipped with 3 reverb parameters consisting of Pre-Delay, Decay and Damping which can be used to easily sculpt your tone. There is also a Reverb control on board, as well as the unique Infinite Switch for creating the ultimate swirling, space effect.

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Demo by LEWIE ALLEN

Demo by Mike Hermans

Infinite Reverb

    The BBD analog delay is always loved by many people, its tone is not only warm and hoarse, but also misty and hazy. This unique taste obsessed so many guitarists, they are repeatedly looking for the tone which is the most closest to the signature 80’s. Because of this, It appeared in many classic riff and solo. The first generation of this delay was released in 2011, after several years of development, we finaly upgraded the tone quality and perfected the functions, we also added the external control to extend the applicable dimensions. The FLUID TIME MK II is the second generation,the birth of it is to better meet the eternal needs of the BBD analog delay.

    The tone of the FLUID TIME MK II perfectly preserve the traditional features of Bucket Brigade Device(BBD), it is warm and hoarse, and full of the analog taste. More significantly, the tone is not only very clear, but also absolutely muffled. The FLUID TIME MK II features the unique delay structure, it equipped 5pcs reissued MN3208 BBD chips, the delay time reaches to 700ms. This is a relatively longer delay time, it can gives you more creative possibilities, and it make the FLUID TIME MK II can be more widely used. The FLUID TIME MK II is a pure analog delay which controlled by micro controller. The signal path is all consist of analog circuit, this design ensures the perfect tone quality. In analog circuit part, this pedal equipped a super buffer circuit, it can be used to buffer the original signal. During the performance and rehearsal, even facing of the most complex interference environment , the signal still remains very pure, it will not lose the top end of the sustain, also the air sense.

    The control part of FLUID TIME MK II consist of digital signal controllers, compared with the traditional BBD analog delay, this pedal has a great breakthrough in use. Same as the digital delay, the FLUID TIME MK II also features the TAP TAMPO and TAP DIVISION function. When using TAP TAMPO function, you can get a LO-FI BBD delay signal with the delay time of up to 2s. When using TAP DIVISION function, you can divide the current delay time to other beats.

    Furthermore, except the common TRUE BYPASS and BUFFER BYPASS, the FLUID TIME MK II was also equipped TRAIL BYPASS. The FLUID TIME MK II is designed a FX LOOP in the effect path, you can add any effects which you need in the loop, such as chorus, wah, flanger, and so on. In addition to the normal mode, the FLUID TIME MK II has 3 special working modes, they are, DUAL TIME mode, TAKE OFF mode and STEP OVER mode. When working in the DUAL TIME mode, you can set up 2 fixed delay times, and during the playing you can freely switching between these 2 delay times . When working in the TAKE OFF mode, you can get a amazing auditory effect caused by the increased feedback. The STEP OVER is a strange effect, like aliens are talking. Both TAKE OFF and STEP OVER can give you a unique tone on the stage.

    The FLUID TIME MK II has powerful external control function. By connecting CTRL/CV JACK, you can control and switch the BYPASS, TAP TAMPO and special working modes. You can also connect CV pedal or generator to adjust the delay time, auto trigger the special working modes and adjust the parameters of special working modes. In order to ensure the professional tone and unsurpassed reliability, we chose the military-level PCB and high quality components.The FLUID TIME MK II specifically designed for the professional guitarists and senior equipment specialists and enthusiasts.

Review by Pedal of the Day

Review by delicious audio

Demo by shnobel

Demo by Pete Thorn

Demo by Pedal of the Day

Fluid Time MkII

The Scream Honey/SH-1N is especially for the Marshall enthusiasts who have never found a satisfied overdrive that can perfectly boost their Marshall amps !

As a deeply enthusiast of amp tone, while studying the N5 drive, Sinvertek company has never stopped researching and modifing various classic vintage amps in history. The most necessary part in this process is developing overdrive pedal. Overdrive effect has been used as the most powerful support to the amp since they were invented. The most basic way to use the overdrive effect is to combine its own frequency spectrum with the frequency spectrum of the amps to produce a new tone. In the history of electric guitars, this methord has been used by most guitarists.

Since the establishment of Sinvertek, we have been obsessed with the combination of various tones of overdrive and the amp. At the same time, we have been committed to designing an overdrive effect that best suits for our own aesthetics. Based on ten years of research, we proudly announced that our first high-end overdrive pedal was born. That is SCREAM HONEY/SH-1N.

We designed SH-1N with two basic goals. Firstly, SH-1N must not attenuate any useful frequency of amp tone. Each legendary amp in history is perfect from the perspective of music at the time, SH-1N should retain these original frequencies. So, SH-1N will not making the tone clear at the cost of reducing the low frequency of amp, especially under the condition of high volume, this avoids the tone becoming
extremely sharp. Moreover, SH-1N features the right low frequency settings, this is very important, it prevents the bell liked attack in the original crunch from being completely swallowed up by the stiff low frequency of the overdrive itself. Secondly, on the premise of maintaining the original characteristics of the amp tone, the overdrive pedal should try to make the tone more transparent and bold, perfect the frequency response, and get a wider & deeper low frequency, bright and transparent high frequency, also greatly improve the attack.

In order to improve the variety of the overdrive tone, SH-1N is equipped with two fine-tuned tone switches. The one on the right is BOLD switch, and the other one on the left is HOLLOW switch. When both switches are in the down position (turned off), it is a traditional and classic overdrive tone. When turning on the BOLD switch, the low frequency and high frequency was boosted, as well as gain. Sometimes, you may feel the tone a little harsh when playing humbucker guitars, just turning on the HOLLOW switch to attenuate some mid and high frequency, the tone will be more transparent.

The SH-1N used hand tested and selected vintage components which we have collected for many years , all these vintage components have been discontinued for several decades, and they will never be found again. The SH-1N is completely hand solder, this make it not only features high-end vintage tone, but also was an aesthetic artwork. Grabbing the last chance to own an overdrive with the real vintage tone!

Manual

Demo by Pedalboard of the Day

Demo by Shawn Tubbs

Scream Honey SH-1N

The CKK Electronic Water Drop Pedal brings a stunning chorus effect to your electric guitar. The Water Drop is fully analog, replicating each string clearly and without excessive vibrations. The speed, depth and rate controls allow you to tailor the Water Drop to you own preference, giving you a detailed tone with ease.

Demo by astringsuk

Demo by Brett Kingman

Water Drop

The CKK Electronic Destruction Drive Guitar Pedal gives you a relentlessly heavy distortion full of attitude. The volume and gain control knobs give you an unlimited catalog of highly driven sound. The three band EQ allows you to have a sound that is balanced as well as energetic. For musicians wanting to produce heavy tones, the Destruction Drive can be as chaotic or controlled as you allow it.

Demo by astringuk