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Mel9 Tape Replay Machine

90s Pro Wah Volume

The Del Fuego Fuzz & Boost - Bass Version

GLXD16 Wireless System

The CKK Electronic Infinite Reverb Pedal delivers a digital reverb effect that is multi-parameter adjustable to provide a wide variety of tones. Since the Infinite Reverb was created in 2013, it has been updated twice and this model features quality tones as well as excellent build quality. The Infinite Reverb has an adjusted frequency response, to suit the guitar's tone and become more natural and clear. The Infinite Reverb Pedal is equipped with 3 reverb parameters consisting of Pre-Delay, Decay and Damping which can be used to easily sculpt your tone. There is also a Reverb control on board, as well as the unique Infinite Switch for creating the ultimate swirling, space effect.

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Demo by LEWIE ALLEN

Demo by Mike Hermans

Infinite Reverb

The CKK Electronic Design Select Anka Distortion Pedal is the fifth iteration of this pedal and features even more dynamic range and tonal response. Anka is a high gain distortion pedal that responds to guitar volume adjustments and player dynamics, along with reacting well to both single coil and humbucker pickups. The Anka Distortion has a 3-way gain clipping switch so you can create the exact response you need, from vintage through to modern sounds. A mid-boost switch provides a handy solo-boost function with increased mid-range focus. The pedal has a wide range of distortion tones and will let the character of your guitar be heard with its transparent circuit. The Anka Distortion is a versatile pedal, built with high-grade components and would make a welcome addition to any pedalboard.

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Demo by CMG

Official Product Video

Anka Distortion

    The BBD analog delay is always loved by many people, its tone is not only warm and hoarse, but also misty and hazy. This unique taste obsessed so many guitarists, they are repeatedly looking for the tone which is the most closest to the signature 80’s. Because of this, It appeared in many classic riff and solo. The first generation of this delay was released in 2011, after several years of development, we finaly upgraded the tone quality and perfected the functions, we also added the external control to extend the applicable dimensions. The FLUID TIME MK II is the second generation,the birth of it is to better meet the eternal needs of the BBD analog delay.

    The tone of the FLUID TIME MK II perfectly preserve the traditional features of Bucket Brigade Device(BBD), it is warm and hoarse, and full of the analog taste. More significantly, the tone is not only very clear, but also absolutely muffled. The FLUID TIME MK II features the unique delay structure, it equipped 5pcs reissued MN3208 BBD chips, the delay time reaches to 700ms. This is a relatively longer delay time, it can gives you more creative possibilities, and it make the FLUID TIME MK II can be more widely used. The FLUID TIME MK II is a pure analog delay which controlled by micro controller. The signal path is all consist of analog circuit, this design ensures the perfect tone quality. In analog circuit part, this pedal equipped a super buffer circuit, it can be used to buffer the original signal. During the performance and rehearsal, even facing of the most complex interference environment , the signal still remains very pure, it will not lose the top end of the sustain, also the air sense.

    The control part of FLUID TIME MK II consist of digital signal controllers, compared with the traditional BBD analog delay, this pedal has a great breakthrough in use. Same as the digital delay, the FLUID TIME MK II also features the TAP TAMPO and TAP DIVISION function. When using TAP TAMPO function, you can get a LO-FI BBD delay signal with the delay time of up to 2s. When using TAP DIVISION function, you can divide the current delay time to other beats.

    Furthermore, except the common TRUE BYPASS and BUFFER BYPASS, the FLUID TIME MK II was also equipped TRAIL BYPASS. The FLUID TIME MK II is designed a FX LOOP in the effect path, you can add any effects which you need in the loop, such as chorus, wah, flanger, and so on. In addition to the normal mode, the FLUID TIME MK II has 3 special working modes, they are, DUAL TIME mode, TAKE OFF mode and STEP OVER mode. When working in the DUAL TIME mode, you can set up 2 fixed delay times, and during the playing you can freely switching between these 2 delay times . When working in the TAKE OFF mode, you can get a amazing auditory effect caused by the increased feedback. The STEP OVER is a strange effect, like aliens are talking. Both TAKE OFF and STEP OVER can give you a unique tone on the stage.

    The FLUID TIME MK II has powerful external control function. By connecting CTRL/CV JACK, you can control and switch the BYPASS, TAP TAMPO and special working modes. You can also connect CV pedal or generator to adjust the delay time, auto trigger the special working modes and adjust the parameters of special working modes. In order to ensure the professional tone and unsurpassed reliability, we chose the military-level PCB and high quality components.The FLUID TIME MK II specifically designed for the professional guitarists and senior equipment specialists and enthusiasts.

Review by Pedal of the Day

Review by delicious audio

Demo by shnobel

Demo by Pete Thorn

Demo by Pedal of the Day

Fluid Time MkII

The original thoughts of designing Honey Jar comes from the ultimate pursuit of original overdrive tone. TS808 was born in the late 1970s, Almost was used in all kinds of music. Guitarists have played it to create countless classic tone for decades. As time has changed, Most of the components used in the original TS808 have already been discontinued or replaced with others, this makes the tone change quietly, until now almost lost the tone characteristics of the year, especially in details. Based on years of research and accumulation of tone, we hope to faithfully restore the original TS808

Honey Jar is the first hand soldering pedal of CKK Electronic. Each HONEY JAR is independently completed by a senior welding technician and everyone can only produce about three pedals per day. The NOS components used in the products all came from our collection that we have spent many years collecting worldwide. These NOS components are the basis for restoring the original tone, but these collections will run out on a certain day, so the production of Honey Jar will be very limited.

Manual

Demo by Lewie Allen

Honey Jar

Guitarists always want to have a space pedal with collection of effects, Space Station Pro is perfectly achieved this wish. Users can get three space effects by using Space Station Pro, digital delay, digital delay-verb and digital reverb. Space Station Pro made up of two independently modules, digital delay-verb module and digital reverb module with all adjustable parameters, users can select the two modules by the MODE switch in the middle of the pedal. Each module is independently work and correspond to itself parameters, and the parameters of four knobs are reused. As everybody knows, the delay effect is indispensable, but sometimes we need to add a little reverb effect to enhance the sense of space, this time, the digital delay-verb module is the best choice. When the digital delay-verb module is available, just turning on the REVERB knob, you can immediately get atmospheric and psychedelic space effect. The digital delay-verb module provides 2000ms of delay time, and the DELAY knob and REGEN knob can be used to respectively adjust delay time and feedback level, In other applications, if you need professional level reverb, just switching the MODE switch to the top, Space Station Pro is immediately became a reverb pedal with all adjustable parameters. The digital reverb module provide four parameters, PREDELAY, DAMPING, DECAY and MIX, through adjusting them, any delicate reverb tone all can be obtained easily. The digital reverb module can provide a atmosphere reverb for a long time, the decay time can last tens of seconds, it’s very important to make atmosphere music. There is only conversion between digital signal and analog signal inside Space Station Pro, this guarantees the best signal integrity, and you can get higher tone quality than using a delay in series a reverb.

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