If you ever needed a smooth and liquid fuzz-distortion made for soloing then this pedal is for you. 
Combining JFET and MOSFET gain stages we covered a huge gain range with the right amount of sagging compression to give sustain and feedback for days without ever losing note definition. From a low gain edgy overdrive up to a thick and soaring fuzz distortion with fat mids and creamy highs. Flip the gain switch for a little extra gain and high-mid presence and listen to the almost endless harmonics bloom.

Demo by Shawn Tubbs

Demo by Pete Thorn

Review by Pedal of the Day

Review by musicradar

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Starlight

Enter the StonedHz v2, a micro modulation factory featuring an all analog signal path controlled via a microcontroller for extreme possibilities. A MN3207 BBD chip along with an opto-isolator and a vast array of controls offer a massive amount of modulation manipulation. 
Inspired from the synth world we gave you total control over the 3 basic waveforms of the LFO (square, triangle and sine) with the ability to distort them. Moreover you can use amplitude modulation (tremolo) along with phase/pitch modulation or independently. 
In the second edition of the pedal we have added a ring modulator effect plus 4 CV inputs / outputs that will make the pedal compatible to most synthesizers / sequencers or drum machines out there.
From classic sounds of flanger, chorus, vibrato, tremolo and leslie type effect to anything in between that will make you trip out.

Official Website

Demo by Guitar Bonedo

Demo by Alberto Barrero 

Review by Premier Guitar

Review by AMAZONA

Review by bonedo

Stoned HZ

From germanium “clean” boost to nasty satisfaction fuzz or modern distortion/fuzz sounds

Official Product Video

Demo by JayLeonardJ

Review by Stompbox Steals

Review by Gearnews

Review by guitar pedal X

Limelight

Inspired by the match-made-in-heaven of vintage effects found on 60s American amps, White Whale V2 sets out a new objective to pack bigger real spring reverb and tremolo sounds in the same pedalboard friendly enclosure (17 x 12,5 x 7,5 cm).

The 3-spring reverb tank assembly housed inside White Whale’s enclosure has remained the same, but we have upgraded the power amp driving the springs for increased headroom and wider frequency response. Following the signal topography of vintage units we have also upgraded the dwell control to allow you to dial the right amount of signal that goes into the springs for a mellower or splashier reverb sound. Real spring reverb found in 60s American tube amps and external reverb units featured a tube power amp driving the spring assembly via an output transformer, so we have delicately tuned an analog circuit to emulate the tube and output transformer saturation that was produced on higher dwell settings. 

Demo by JayLenoardJ

Demo by Kirs Barocsi

Demo by 60 Cycle Hum

Demo by TheGuitarGeek

Demo by  AndyDemos

White Whale V2

Cyclone is an all analog phaser effect voiced after classic phaser designs of the past. We set out to emulate the phasing notches – frequency shifts and the behavior of the original unit that each of the voicings is modelled after. With the addition of extra controls, not part of the classic designs, a whole range of classic and non-classic uses become available making it an ideal texture machine with unparalleled harmonic richness.

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