A versatile studio quality reverb in a small pedal format and user friendly design, utilizing our proven technique of paralleling analog with digital to get best of both worlds.

Features 3 different reverb algorithms fully customizable via decay and excite controls. A kill dry function is included via a push/pull knob that is great for volume swells without the need of your volume knob/pedal.

Algorithm I: The “exciter”. From a touch of ambience to spacious pad effect, especially on extreme settings.
Algorithm II: Moderate sized reverb. From a spring style reverb up to room and hall
Algorithm III : Large reverb. From hall to ambience

Demo by sonicstate

Demo by MrExcane

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Review by Premier Guitar

Review by bonedo

Quick Start Guide

Splash MK III

Memphis Vibrato was designed as the “small brother” of our Killer V. Lots of our customers have asked for a true pitch shifting amp-like vibrato pedal, without the drive section, and we delivered.

It features all analog LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s. 

Demo by JayLeonardJ

Demo by intheblues

Review by delicious audio

Review by The Gear Page

Manual

Memphis

The left side is voiced after the blackface amps that defined clean electric guitar sounds. All analog and following the circuit path to the exact detail we managed to include all the essential sonic ingredients. From the big bold lows, sparkly highs and slightly scooped mids, to the powerful sound of a solid state rectified 4x 6L6GC power amp or the sponginess of a tube rectified 2x 6L6GC power amp selectable through the headroom switch.

Match that to the green mid-hump overdrive we’ve all grown to love, upon its inception in the late 70s, found on the right side. We chose to accurately recreate the circuit of this classic overdrive but with the addition of some of the most common modifications the pedal has seen throughout the years of its mass production or boutique variations. A clipping toggle switch selects between symmetrical (original) or asymmetrical clipping for enhanced touch-sensitive drive characteristics while a gain toggle adds more gain and alters the low frequency response making it reminiscent of placing two of the same overdrive pedals in series. An internal switch offers additional headroom by providing 18V DC to the overdrive circuit. 

Demo by Buddy Blues

Crossfire Overdrive

The Vyagra Boost Mk2 from Crazy Tube Circuits combines full-range Booster/EQ and filter in one pedal. The heart of the high-quality processed pedal is a high-quality Mosfet OpAmp, which amplifies the incoming signal. With Vyagra Boost Mk2, the sound of favorite pedals and amps can be shaped and frequencies can be additionally emphasized. Used in conjunction with an overdrive or distortion amp, it provides the ultimate gain and sustain boost, or can be used at the end of the signal chain as a volume control for solos. The Sensitivity control can also be used to dynamically control the filtering by input signal to create envelope filter effects. When connected to an expression pedal, these can also be controlled by foot, additionally turning Vyagra Boost Mk2 into a wah-wah pedal.

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