Das Logan Square Destroyer, eine perfekte Mischung aus 60er Fuzz und modernem heavy Doom. Hier hast du ein sehr flexibles Pedal mit interaktiven Gain und Level Reglern, für eine Menge tonaler Optionen. Dreh den Gain zurück und du bekommst ein offenes Fuzz ala Garage Rock. Auf Rechtsanschlag bekommst du ein dichtes, destruktives High Gain Fuzz. Exzellent geeignet für tiefere Stimmungen, cremige sustain-lastige Leads oder schneidende Riffs. Groß, laut und fuzzig, das LSD deckt ein enorm breites Klangspektrum ab.

The Logan Square Destroyer, a perfect blend of raw 60’s type fuzz and heavy modern doom. This is a very versatile pedal, the gain and level knobs interact to allow many different tonal options. Rolling back the gain opens up the fuzz, this is where you can find some retro garage type sounds. Cranking it up will lead you to thick and destructive high gain fuzz. Great for lower tunings, creamy sustain driven leads, or searing riffage. Big, Loud, Fuzzy. The LSD covers a lot of sonic ground while keeping things simple. Open wide, enjoy the ride.

Review by Premier Guitar

Review by TDPRI

Demo by  Chicago Music Exchange

Demo by gearmanndude

Official Website

Get all the great cocked wah sounds without the wah pedal. No more trying to engage and find the sweet spot during a solo. Just dial it in, crank up the gain, and you're ready to lay down some sweet, squawky tone.
who's got the diggest bick?

What we have is a smooth sweeping wah with a single knob to set your pitch. A boost section has been added to give you more gain and power as needed. Balance these two features out with the Blend control, adjusting how much wah signal goes to output. Very cool for dialing in the cocked tone subtle enough to be left on all the time, or for just a bit of a frequency tweak. Full clockwise gives you the complete effect. The gain section is warm, loud, and gives a nice crunch to your amp's output. No need to try and hit a boost before hand, it's all there. Get the killer tones from the likes of Mick Ronson, Micheal Schenker, Slash, etc… Accept no substitutes.

Official Product Video

Review by Stompbox Steals

Review by bonedo

Product Page

Atomic Cock

Das Daisho ist eine Daredevil-Kollaboration mit dem legendären Gitarristen Earl Slick. Dieses 2-in-1-Pedal wurde für maximale dynamische Kontrolle über Fuzz- und Oktavesound entwickelt und verfügt über unabhängige Schaltkreise mit einem optionalen Noise-Gate, um den Sound tight zu halten. Dieses eigenständige Fuzz-Design hält die Regler einfach ... Volume und Gain, mit einem tiefen Ton-Stack, um das Low-End anzuheben oder zu dämpfen. Auf Linksanschlag klingt es nach Vintage und schön hell mit genug Textur um sich durch den Mix zu schneiden. Drehe den Depth-Regler nach rechts und höre wie dein Low-End angedickt wird und dein Sound moderne Fuzz Power bekommt. Die Oktave-Up Schaltung ist vor dem Fuzz eingesetzt, was ihn so effektiv einsetzbar wie möglich macht. Doublestops werden zu einem wirbelnden, knirschenden Freak-out Sound. Harmonische High-End-Sounds, singen mit süßem, bissigen Hendrix-artigen Sustain. Dies ist ein unabhängiger Kanal ... stacke ihn mit deinen Lieblingseffekten oder nutze nur die Fuzz-Seite für sich. Die Optionen sind unbegrenzt. Die Noise-Gate-Steuerung dämpft das Zischen im Hintergrund, wenn gerade nicht angeschlagen wird - besonders hilfreich bei höheren Gain-Einstellungen und aktivierter Octave-Up Seite. Schalte das Noise Gate mit dem Kippschalter in Bypass wenn du Gain oder Lautstärke zurückrollst, um alle Feinheiten in deinem Spiel beizubehalten.

The Daisho is a Daredevil collaboration with legendary guitarist Earl Slick. Designed for maximum dynamic fuzz and octave control, this 2 in 1 features independent circuits with an optional noise gate control to keep things tight in between playing. This original design Fuzz keeps the controls simple... Volume and Gain control, with a depth tone stack to boost or attenuate the low end. Counter clockwise it sounds vintage and bright with enough texture to cut through. Turn the depth knob to the right and listen to the bottom fatten up, bringing your tone right back to modern fuzz power. The Octave above circuit is stacked before the fuzz giving you the most the effect has to offer. Double stops turn into swirling, gnashing sonic feq-out. High end harmonic tones that stir up Hendrix-like sustain and singing sweet bite. This is an independent channel... stack it with your other favorite effects or use the Fuzz side on it's own. The options are limitless. The noise gate control can be increased turning clockwise, cutting out the background hiss in between playing... which can be helpful at high gain settings with the Octave engaged. Bypass the noise gate when using the gain or volume rolled back to keep all the subtleties intact.

Demo by R.J. Ronquillo

Review by The Gear Page

Daisho

It's not like all the others... This boost has a tighter low end, sharper bite, and more output than the usual germanium Rangemaster clones. The Silver Solo is a redesigned version that uses Silicon transistors and a tone blending option to achieve it's sweet spot.

It accentuates dynamics and texture while increasing volume, pushing your tone through the mix when you need that extra cut.

You’ll get more sustain and a sweet harmonic edge to each note. I use it for solos, but this one also works great for adding cut to your rhythm tone. The “Range” control adjusts which frequencies are pushed up. Fully CW is the classic bright treble boost, sweeping it CCW gradually includes more low end until reaching a full range boost.

Demo by  Benjamin H. Smith

Review by Bonedo

Silver Solo Boost

The Bootleg is a digital delay that utilizes the Princeton 2399 IC. This was designed to give classic tones that sound similar to vintage tape machines, emulating the bucket brigade analog delay circuits. It’s increasingly more lo-fi and dirty when driven at intense or longer settings.

What sets this apart from the rest is the Dirt section of the circuit, adding gain to the repeats. The decay will become brighter as it tails off…the opposite of most “tape style” delay units. Includes a Tap Tempo input for remote setting capability using a momentary switch.

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