By marrying the classic Fat Control/Midboost with our new Overdrive we have created the ultimate overdrive/distortion pedal. From fat crunch to extra fuzzy to over the top, this pedal does it all. The midboost goes from thin to ballsy, while the overdrive has the ability to go from edgy clean to filthy in germanium mode and edgy to dirty while in silicon mode.

Fat Control: Our classic circuit updated for this pedal. The tone ranges from flat buffer to 12dB of Fat Boost. It is like turning your strat pickup into a P90. The boost frequencies are set to produce maximum sustain.

Overdrive: Our new Overdrive features variable gain control from unity to over 100 times, that output drives our clip generators (silicon or germanium diodes, switchable) for the ultimate in overdrive sound variations. The overdrives controls are gain (drive), a very usable tone control, volume control, and loose/tight switch. Runs off a standard Boss type 9v power supply.

Demo by Jack Zucker - Jazz Guitar

Demo by ProGuitarShopDemos

Review by The Gear Page

Product Page

FOD-1 Fat Overdrive

The MB-2B Midboost/Fat Control boosts a wide mid-frequency range for a more distinct natural frequency boost than any other midboosts. The frequencies selected give your guitar the best response and sustain possible.

The MB-2B Midboost/Fat Control used with a stratocaster (single coil) type pickup produces a sound very similar to the old Gibson P90 pickup. Used with humbucking type pickups, the sound is transformed into that of super humbucking pickups. The MB-2B Midboost/Fat Control produces the sound equivalent of adding 5,000 feet of wire to your pickup, and at a turn of the knob the MB-2B Midboost/Fat Control will respond by adding any amount of midboost you desire.

Review by Premier Guitar

Manual

MB-2B Midboost

The BEQ-PB Bass EQ Preamp Pedal is a pedal version of our famous on board Bass EQ. It has active equilization for treble, middle and bass. The treble and bass are both shelving controls with 14dB of boost and cut @ 6dB per octave. The middle control is a peak control with plus and minus 12dB of cut and boost @ 6dB per octave. A gentle slope of 6dB per octave was chosen because the amount of phase shift is greatly reduced and the resulting sound is both more cohesive and natural with very little of the comb filtering that would normally happen with a 12dB per octave approach. The unit also has a master volume control, internal gain trimmer (with up to 9dB of gain), a battery jack usable with any regulated supply (9 to 27 volts), a bypass footswitch and an indicator LED. The unit was first designed in 1981 and was fine tuned with the help of Alfonso Johnson, Bob Glaub and Leland Skylar.

Demo by polux

Review by Basschat

BEQ-PB Bass EQ Üreamp

The sound of classic studio optical compression of the 60’s and 70’s at your feet! The first compressor pedal not to suck the life out of your tone. Operation is fairly straightforward. There are two inputs on the front side of the unit: a 1/4″ input jack on the right and a 1/4″ output jack on the left with a battery-ground switch on the input jack. There are two controls on the unit: compress and volume, plus a foot switch to bypass the effect, and an LED to indicate effect operation. On the side there is a trim pot to set the overall gain of the unit. Compress affects the amount of gain reduction (compression) of the input signal. Turning this clock wise will give you up to 30dB of gain reduction (depending on input gain). 

Demo by Francesco Carpentieri

Demo by  La Chitarra e

Review by Guitar Gear

Review by Talk Bass.com

Review by Compressor Pedal Reviews

Review by OVNI LABS

OptoCompulator

After more than a third of a century in production, James Demeter decided to revisit his first pedal and add every feature that he could think of as well utilizing customer suggestions he received along the way and still keep the original all analog Optical design. The range of controls are amazing. Just imagine the tremolo tones you can get with this unit. In addition to the stock Speed and Depth controls, the unit adds a bias control on top, replacing the trim pot on the original units. You can also easily adjust the on and off ratio of the optical unit; with the knob straight up you get the famous Cooder setting. The Clock Waveform that controls the optical unit can be adjusted to be a pure triangle wave (smooth up and down volume effect) or to the normal position, a flattened Triangle wave, (Smooth up, and down volume with strong on and off), or set to the very sharp cut off of a square wave (sharp on and off). The unit also features a gain setting so the effect can be as loud or soft as needed. We also have a rate LED that blinks to show the speed of the tremolo effect and lastly a true bypass switch that pulls the Tremulator out of the circuit. Hand built in the USA in our Barn in Templeton CA

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Demeter Amps

FOD-1 Fat Overdrive

Demeter Amps

MB-2B Midboost

Demeter Amps

BEQ-PB Bass EQ Üreamp

Demeter Amps

OptoCompulator

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