Manual

Demo by Warboys Music Store

Product Page

Microtubes D7K Ultra

Based on FORTIN AMPLIFICATION 33 Booster and XOTIC EP Booster.

Review by reddit /guitarpedals

Review by The Gear Page

Dual Boost

Based on Keeley Magnetic Echo – The TAPE-ECHO pedal simulates tube tape echo sounds by using
the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Tape-Echo achieves similar results by using a touch of Lo-Fi delay,
 a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the
heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of
pitch on the trails of the repeats. With a simple set of controls for the delay – Time, Regen, and Level
and with the “Wow and Flutter” controls – Depth and Rate you can create some very vintage or rather
 unique tones.

Demo by Wangs Amps

Demo by Dr. Mad Tone

Review by Stompbox Steals

Review by Strat-Talk

Tape Echo

Based on Darkglass Electronics MICROTUBES B3K

An intuitive format that contains brutality and clarity at the same time is what the B3K delivers. A defined and powerful overdrive, with a simple layout gives no limits and set no rules to unleash the desired tone.

Demo by  Vitaly Ganya

Review by Talk Bass.com

Microtubes B3K 

Description:
The FILTRATION II G String Noise Reduction pedal is
 the latest generation in noise reduction technology.
The Decimator features improved Linear Time Vector
 Processing that offers the smoothest, ripple free
approach in tracking the envelope of the input signal.
The LTVP will instantly respond to short staccato notes and at the same time provide ripple free control of long
sustained notes while downward expanding.
The FILTRATION II G String Noise Reduction pedal is
 easy to use and simple to operate.
Features:
The FILTRATION II G String has 4 ¼ inch jacks.
Connect the guitar directly to the Guitar IN. Connect the Guitar OUT to the input of the amplifier.
Connect the DEC IN to the loop send and DEC OUT to
 the loop return. For best performance place all gain
pedals in front of the amplifier and DEC IN.
You can put Delay and Reverb effects pedals after
 the FILTRATION II G String and before the loop return
to avoid cutting off reverb and delay tails.

Demo by Eric Normand

Review by New Gear Day