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Ein echtes Rock N' Roll-Artefakt - Hendrix' abgeplatztes, cremefarbenes „Cheese Wedge“-Pedal mit handgeschriebener Beschriftung - befindet sich im Experience Music Project, Seattles heiligem Rock & Roll-Museum.

Jimis originale Oktavteiler sehen nicht nach viel aus, aber diese magischen Kisten erzeugten die unvergesslichen, verwaschenen Oktavtöne, die man auf dem legendären „Band of Gypsys: Live at Fillmore East“ zu hören sind.

Kürzlich pilgerte ein Team von Dunlop-Ingenieuren nach Seattle, um einen originalen Octavio zu untersuchen und zu dokumentieren - den heiligen Gral des Oktavtons. Sie haben mit liebevoller Sorgfalt gemessen und gescannt. Das Ergebnis? Das Dunlop Jimi Hendrix Octavio ist ein exakter Klon des erstaunlichen „octave up“-Pedals, mit dem Jimi Rockgeschichte geschrieben hat. Es ist alles da: jeder Knopf und jede Buchse, ein DPDT Ein/Aus-Schalter und genau das gleiche Schaltungslayout, das originalgetreu vom „Breadboard“ kopiert wurde, Bedienelemente auf der Vorderseite, mit denen du genau die richtige Menge an Fuzz einstellen und den Gesamtpegel anpassen kannst. Besitze ein kleines Stück von Jimi - den Dunlop Jimi Hendrix Octavio.

A true Rock N’ Roll artifact—Hendrix’s chipped, off-white, “cheese wedge” pedal with hand stenciled lettering—is enshrined at the Experience Music Project, Seattle’s hallowed rock and roll museum.

Jimi’s original octave dividers don’t look like much, but these magic boxes produced the unforgettable fuzzed-out octave tones heard on the legendary Band of Gypsys: Live at Fillmore East performance.

Recently a team of Dunlop engineers made a pilgrimage to Seattle to examine and document an original Octavio—the holy grail of octave tone. They measured and scoped with loving care. The result? The Dunlop Jimi Hendrix Octavio is an exact clone of the amazing “octave up” pedal that Jimi used to make rock history. It’s all here: every knob and jack, a DPDT on/off switch, and the exact same circuit layout faithfully copied from the original “breadboard,” front-panel controls which let you dial in just the right amount of fuzz and adjust overall level. Own a little piece of Jimi—the Dunlop Jimi Hendrix Octavio.

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Demo by Santi Guillén - Roadhouse Guitar School

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JH-OC1 Octavio

Wer das Band of Gypsys-Album mag, wird das Authentic Hendrix ’68 Shrine Series Uni-Vibe Chorus/Vibrato lieben. Vor allem, weil es wegen seiner Größe das von Jimi Hendrix genutzte Shin-ei-Gerät ganz klar auf das Abstellgleis schiebt.

This special edition of the Uni-Vibe Chorus/Vibrato pays tribute to the legendary Jimi Hendrix with a custom finish featuring prolific and celebrated rock artist John Van Hamersveld’s famous 1968 Shrine Auditorium concert poster art remixed by Simon Berndt of One Horse Town Illustration .

Review by Amazona 

Demo by PMTVUK

AUTHENTIC HENDRIX '68 SHRINE UNI-VIBE

GARY CLARK JR. WAH

This special edition of the Octavio Fuzz pays tribute to the legendary Jimi Hendrix with a custom finish featuring prolific and celebrated rock artist John Van Hamersveld’s famous 1968 Shrine Auditorium concert poster art remixed by Simon Berndt of One Horse Town Illustration .

AUTHENTIC HENDRIX '68 SHRINE SERIES OCTAVIO FUZZ

Whether he's blazing through the blues on his own or rocking with Black Country Communion, Joe Bonamassa's playing is fiery, deep, and powerful. And when he really wants to express himself in a solo, he steps on a Cry Baby wah. That's why we at Dunlop worked with Joe to develop the Joe Bonamassa Signature Cry Baby, specially engineered to fit in perfectly with Joe's system, from the way it looks to the way it sounds. On the outside, it sports a classy copper top with a smooth-finish black body. On the inside, it features large, vintage-style thru-hole components, a Halo inductor (for added harmonic content), an output buffer (to prevent impedance imbalance with vintage fuzz pedals), and a switch for true-bypass or non-true-bypass operation (Joe prefers non-True Bypass as it darkens the high end). With its huge vocal sweep range, this is one of the most expressive Cry Babys ever, and it's Joe's tool of choice to accentuate every soulful bend and bluesy wail. "The first pedal I ever purchased was a Cry Baby, 25 years ago," he says. "I am so honored to have my name on this pedal and hope it brings you as much fun as it brings me every night on stage."

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