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Das Hoof Reaper kombiniert die EQD Pedale Hoof Fuzz und Tone Reaper Fuzz mit einem „Old School“ Octave-Up-Effekt. Alle drei Effekte verfügen über eigene Regler und Fußschalter und können somit einzeln oder in beliebigen Kombinationen zusammengeschaltet werden. 
Der Octave Effekt kann als standard Latching Modus aktiviert werden, oder im Momentary Modus, indem du den Fußschalte einfach solange gedrückt hältst, wie du den Effekt brauchst.
Insgesamt gibt es somit sieben Möglichkeiten. Der Octave-Up-Effekt ermöglicht zusammen mit den Fuzz-Stufen Sounds, die an explodierende Amp-Stacks denken lassen. Oder man setzt diesen Effekt eher subtil für sich allein ein. Das Hoof Reaper verfügt über True Bypass und wird in Handarbeit in Akron, Ohio un den USA hergestellt.  
Das Hoof Reaper V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Hoof Reaper features our popular Hoof and Tone Reaper fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. All three effects have their own footswitch, therefore, they can be used independently or in any of its 7 combinations. The Octave effect can be activated in standard latching operation or in momentary operation, by just holding the footswitch down for as long as you’d use the effect. The Hoof Reaper is capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps, it features True Bypass and is hand built in Akron, Ohio, USA. The Acapulco Gold V2 uses silent relay-based soft touch switching. Audio will not pass without power.

Official Product Page

EarthQuaker Devices Hoof Reaper V2 - Demo Video - ProGuitarShop

Manual

EarthQuaker Devices Hoof Reaper V2 - Demo Video - Reverb

Hoof Reaper

Hey Shredders! Patch a Pitch Bay in your effects chain and blast your three-part guitar harmonies into the stratosphere! This Device packs a three-part polyphonic harmonizer and overdrive circuit into a compact unit that saves precious pedalboard real estate while still being completely intuitive.

Each of the Pitch Bay’s polyphonic harmonizers (“Pitch Up” and “Pitch Down”) are tunable in semitones from one octave below the root to one octave above, and every interval in between. You’ll find everything from rumbling sub-octaves, dissonant tone clusters, soaring octave-up lead sounds, to ripping NWOBHM lead guitar harmonies.  Rounding out the top row of controls is the “Gain” knob, which can go from totally clean to heavily distorted, unleashing the dirty hesher within.

The bottom row of controls is the Pitch Bay’s mixer section where you can adjust the volume of your upper voice, lower voice, and the all-analog “Root” signal to create the perfect polyphonic blend of sounds. The digital pitch-shifting engine tracks across the harmonic spectrum, making the Pitch Bay perfect for dense chords, synthesizers, vocals, bass guitar, drum machines, and just about anything with a ¼” output. Sky’s the limit, reap the whirlwind, reach for the stars, break a leg, ride the lightning, YOLO, etc.…

Each Pitch Bay is true bypass and imagineered one at a time by a team of rocket scientists in the space station orbiting the alien landing site of Akron, Ohio, USA.

Users Manual Pitch Bay Polyphonic Harmonizer

Earthquaker Devices Pitch Bay

The Colby Fuzz from EarthQuaker Engineering is a quality Fuzz pedal based on the classic Park Fuzz Sound. Park Amplification was born from Marshall Amplification, originally started by Jim Marshall himself. Park only produced a select few effects pedals amongst their amps, and most were just generic variations of 'wah' pedals, however they created one device that would stand out way above the rest: The Park Fuzz. EarthQuaker Devices have managed to perfectly recreate the classic sounding fuzz in their Colby Fuzz Sound, bringing it into a new generation.

Earthquaker Devices Colby Fuzz Sound Review

Earthquaker Devices Colby Fuzz Sound | Gear4music Demo

Colby Fuzz

Congratulations on your new Terminal! Are you ready to take the stairs to the top of the tallest tower of fuzz? You are now.

The Terminal is our take on the elusive vintage JAX fuzz. These units are increasingly hard to come by, and are better known by most of us as the Shin-Ei Companion Fuzz. We love the Companion Fuzz’s unique buzzy sound, but the lack of output volume and EQ controls really got us down. So, we’ve taken the Companion Fuzz design three steps further, adding “Voice” and “Treble” controls, along with twenty stories’ worth of output volume to erect the Terminal.

The “Voice” control adjusts the Terminal’s midrange focus and overall frequency response. Clockwise you’ll hear vertigo-inducing upper mids with an almost nasal, cocked-wah quality. Counter-clockwise you’ll find enough low-mid thickness to make even your wildest Siamese Dreams come true.

The “Treble” knob controls the Terminal’s biting top end. This control is especially interactive with the “Voice” knob, so it’s anything but “set and forget.” At the low end of the dial, you’ll find muted, subdued fuzz tones that sit back in the mix and play nice. Crank it up, and you’ll hear searing blown-out buzzsaw treble sharp enough to cut glass.  

“Fuzz.” That’s why we’re here today, isn’t it? The Terminal’s “Fuzz” control has a wide sweep for causing all sorts of mayhem. Keep the “Fuzz” low and you’ll find “separated, ”spitty garage tones, and plenty of “satisfaction,” as the Terminal just wants to be your dog. Take the “Fuzz” all the way to the top floor, and you’ll hear a thick, searing grind with a unique attack envelope and loads of sustain. Between these three interactive controls, you’ll find a wide range of fuzz tones at your disposal.

The Terminal is true-bypass, uses archaic all-analog circuitry, and is built one-at-a-time by a team of basketball champions in rubbery Akron, Ohio, USA.

Terminal Destructive Fuzz Device

EarthQuaker Devices Terminal Fuzz

Hey Kumpel! Willkommen zum neuen Avalanche Run™ Stereo Reverb und Delay mit Tap Tempo! Der Avalanche Run wurde mit dem Ziel entwickelt, die schwebenden Ambient-Töne des Dispatch Masters auf das nächste Level zu heben und dabei benutzerfreundlich und raffiniert zu halten. Der Avalanche Run ist ein verträumtes Sonic Discovery-Device mit bis zu 2 Sekunden Delay-Zeit und einem üppigen Stereo-Reverb. Es bietet vollständige Kontrolle über die Verzögerungszeit, Wiederholungen, Mix und Voice (mit dem Tone Regler), sowie Kontrolle über die Hallfahnen-Länge und Reverb Mix. Es kann in einem von 3 verschiedenen Modi betrieben werden: Normal, Reverse und Swell. Im "Normal" -Modus fungiert der Avalanche-Run als direktes Delay und Reverb. Im "Reverse" -Modus ist die Delay Spur umgekehrt und der Reverb bleibt im normalen Modus. Im "Swell" -Modus reagiert der Avalanche Run auf deine Picking-Dynamik und fügt dem gesamten Signalweg einen Volume Swell hinzu, ähnlich wie beim manuellen Auf- und Zudrehen des Volume Reglers deiner Gitarre. Ausgestattet mit einer Kombination aus True Bypass und Buffered Bypass mit Trails-Funktion wird auch das Avalanche Run in Handarbeit in Ohio/USA hergestellt. Das Avalanche V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

Hey buddy! Welcome to your new Avalanche Run™Stereo Reverb and Delay with Tap Tempo! The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush stereo reverb. It features complete control over delay time, repeats, mixand voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal”mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse”mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell”mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar. Equipped with True or Buffered with trails Bypass, the Avalanche Run is hand made in Ohio, USA. The Avalanche Run V2 uses silent relay-based soft touch switching. Audio will not pass without power.

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Avalanche Run V2, Purple Sparkle (Gear Hero Exclusive)

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Weitere Pedals von EarthQuaker Devices

EarthQuaker Devices

Hoof Reaper

EarthQuaker Devices

Pitch Bay Polyphonic Harmonizer

EarthQuaker Devices

Colby Fuzz

EarthQuaker Devices

Terminal Destructive Fuzz Device

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