Der Blumes ist ein Overdrive, der auf dem Plumes-Schaltkreis basiert und ideal für Bassisten und alle, die gerne tiefe Töne spielen, geeignet ist. Es wurden die wichtigsten Merkmale und Eigenschaften des Plumes übernommen, aber die Schaltung mit dem doppelten Gain und einer tieferen Basswiedergabe modifiziert, um das gesamte Low End beizubehalten. Bei niedrigeren Gain-Einstellungen erhältst du den knackigen Ton, den du vom Original so liebst, aber sobald du den Gain-Regler über 12 Uhr stellst, hören die Ähnlichkeiten auf. 
Dieser rein analoge Tri-Mode-Overdrive mit Soft Clipping ist der Nachfolger des klassischen Screamer-Schaltkreises, hat aber eine ganz eigene Stimme. Und dank seiner +/- Stromversorgung nutzt er bipolaren Strom, was mehr Dynamik, Klarheit und den ganzen Headroom bietet, den man sich nur wünschen kann. Das Endergebnis ist ein dreidimensionaleres Klangbild mit zusätzlicher Klarheit, der einen guten Röhrenverstärker wirklich auf Touren bringt. 
Und ähnlich wie das Plumes bietet dieses Pedal drei verschiedene Clipping-Optionen für die gewünschten Low-End-Face-Melting-Bedürfnisse.

The Blumes is an overdrive based on the Plumes circuit that is ideal for bass players and all purveyors of low-end. While embodying the key characteristics and features of the Plumes, they went ahead and modified this circuit with double the gain and a deeper bass response to retain all the low end. At lower gain settings, you’ll get all of the crunchy tone you love about the original, but once you get above noon on the Gain control, that’s where the similarities stop. 
This all-analog tri-mode overdrive with soft clipping carries the torch of the classic screamer circuit but has a voice all its own. And thanks to its +/- power supply it utilizes bipolar power, which gives you more dynamics, clarity, and all the headroom you could ever desire. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. 
And much like the Plumes, this pedal offers three different clipping options for your desired low end face melting needs.

Official Product Page

Blumes Low Signal Shredder Bass Demo | EarthQuaker Devices

New Earthquaker Devices Bass Overdrive | Insane Value for Money - Janek Gwizdala

Manual

EarthQuaker Devices Blumes - Low Signal Shredder - Amazona.de, 02/2024 - DE

Earthquaker Devices Blumes Low Signal Shredder - Review by Bonedo [DE], [01-2024]

Blumes

Beim Hoof Fuzz hat sich EarthQuaker Devices vom klassischen, „russischen“ Big Muff Pi inspirieren lassen. Das Hoof Germanium/Silizium-Hybrid-Fuzz erzeugt ein natürliches und obertonreiches Sustain. Das Klangspektrum reicht von dreckigem Overdrive bis zu monströsem Fuzz. Der Shift-Regler verändert als „Geheimwaffe“ die Frequenz-Ansprache des Tone-Reglers, ausgehöhlt klingende „Scooped-Mids-Fuzz-Sounds“ sind hiermit ebenfalls möglich. Das Hoof Fuzz ist voll analog aufgebaut, verfügt über einen True Bypass und wird in Handarbeit in Ohio/USA hergestellt. Das Hoof V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Hoof Fuzz is based on character of the classic green Russian muff. The Hoof germanium/silicon hybrid fuzz delivers a smooth, natural and harmonically rich sustain. It is capable of creating everything from dirty and organic overdrive to monstrous fuzz madness. The Shift control is its secret weapon of the Hoof. It changes the frequency response of the tone control, primarily on the treble side, making possible hollow sounding “scooped mids fuzz tones”. The Hoof features all analog operation and True Bypass. Hand built in Ohio, USA. The Hoof V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices Hoof Fuzz V2 - Official Demo

Hoof

Hey Shredders! Patch a Pitch Bay in your effects chain and blast your three-part guitar harmonies into the stratosphere! This Device packs a three-part polyphonic harmonizer and overdrive circuit into a compact unit that saves precious pedalboard real estate while still being completely intuitive.

Each of the Pitch Bay’s polyphonic harmonizers (“Pitch Up” and “Pitch Down”) are tunable in semitones from one octave below the root to one octave above, and every interval in between. You’ll find everything from rumbling sub-octaves, dissonant tone clusters, soaring octave-up lead sounds, to ripping NWOBHM lead guitar harmonies.  Rounding out the top row of controls is the “Gain” knob, which can go from totally clean to heavily distorted, unleashing the dirty hesher within.

The bottom row of controls is the Pitch Bay’s mixer section where you can adjust the volume of your upper voice, lower voice, and the all-analog “Root” signal to create the perfect polyphonic blend of sounds. The digital pitch-shifting engine tracks across the harmonic spectrum, making the Pitch Bay perfect for dense chords, synthesizers, vocals, bass guitar, drum machines, and just about anything with a ¼” output. Sky’s the limit, reap the whirlwind, reach for the stars, break a leg, ride the lightning, YOLO, etc.…

Each Pitch Bay is true bypass and imagineered one at a time by a team of rocket scientists in the space station orbiting the alien landing site of Akron, Ohio, USA.

Users Manual Pitch Bay Polyphonic Harmonizer

Pitch Bay Polyphonic Harmonizer

Earthquaker Devices Pitch Bay

Afterneath v2, Limited Edition Loch Ness 

The Speaker Cranker™ is a discrete, all-analog distortion enhancement device (i.e., not a booster), designed to give your signal some extra grit and a slight boost without drastically altering your tone. Think of it as sticking an extra preamp tube in your amplifier for more overdrive.

Single notes will blossom and bloom with rich harmonics and responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Speaker Cranker is designed to preserve your tone’s integrity without muddying up the low-end, or “rounding out” the mids, or adding any top-end “shimmer,” or “sparkle,” or any of that other garbage. It’s your tone. Cranked. Ya got that?

Repeat after me: “The Speaker Cranker is an overdrive, not a boost.”

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