The Electronic Audio Experiments Hypersleep is a solid-state analog reverberator. It evokes the immediate acoustic reflections of metal and tile, with a gritty timbre and a ringing, fluttering decay—forgoing epic atmospherics in favor of liminality. 

At the heart of the Hypersleep is the unusual and obsolete MN3011 bucket brigade device. Unlike other BBDs with one input and one output, the MN3011 uses an array of staggered delay outputs to produce a smeared-out echo. Feeding this echo back upon itself produces a reverberant texture. The reverb length can be modulated via the onboard LFO for atypical chorus and vibrato effects, or the haunting sound of a room changing size in real time. As always, careful signal conditioning ensures that Hypersleep is friendly to any instrument or line level signal source.  

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Review by Talk Bass.com

Review by delicious audio

Demo by PSQRCL

Demo by collector//emitter

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Hypersleep v2

Eldritch Blast is a fuzz built around a high-gain octave/intermodulation generator. This unusual transistor circuit is capable of heavy, complex riffs or touch-sensitive textures with a ripping, splatty octave up. And its switchable active EQ invokes sinister high-gain tones worthy of the outer gods.

The development of the Eldritch Blast has origins in the early days of EAE. It is a greatly expanded take on the Magic Missile Fuzz, an old design of ours which is an homage to the modern classic fuzzes of Devi Ever, Tim Escobedo, and all of the circuit-bending weirdos on ilovefuzz.com. We teamed up with Alec from Mask Audio Electronics (MAE) to flesh out and fine-tune the design, and together came up with a result which significantly diverged from the original Magic Missile circuit.

For Eldritch Blast Version 3, available starting in April 2023, we revisited the function of the Chaos toggle. Rather than the gated mode of previous iterations, the Chaos toggle now engages a dynamic oscillation mode that creates sub octave glitches, atonal arpeggios, and other strange sounds that we haven’t discovered yet.

Review by reddit /guitarpedals

Demo by Joel Gilardini

Official Product Video

Eldritch Blast v3

The Dude Incredible is a pairing of two cult classics: the IVP “Tube Voice” preamp and a percolator-style fuzz. Together, these two circuits have produced some of the most iconic guitar sounds in noise rock: jangly rhythm tones, ear-piercing treble chords, and endless walls of howling feedback. Originally released in 2017, the Dude Incredible was the first adaptation of the IVP into a pedal format. Now, it returns with some extra features and modern reliability improvements.

Review by guitar pedal X

Demo by Pedal Empire

Dude Incredible

Sending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician.

Using two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier capable of subtle enhancement or warm saturation that melds perfectly with the delay line. A dual-mode feedback filter shapes the repeats into deep pulses or dub-style bright echoes. Its flexible LFO engine can modulate the delay time to create gentle movement or musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter.

Sending is our love letter to the antiquated yet enduring technology of analog delay. As you explore its many shades of interplay between past and future, we hope you find it as immersive as we do.

Review by musicradar

Review by The Gear Page

Demo by Emily Hopkins

Demo by JHS Pedals

Sending v2

Prismatic Wall is a sympathetic resonator designed to transmute incoming sounds into the vibrations of an illusory bank of tuned strings. Part reverb and part synthesizer, its metallic yet warm timbres span from the subtle harmonic aura of a third bridge to the rich chromatic suspensions of a grand piano. The simulated vibrations form a sustaining spectral extension of your instrument that retains a tangible physicality despite its surrealist underpinnings. The resonances are reactive in nature: playing in tune excites specific pitches, while percussive attacks excite all the strings in tandem.

Review by Elektronauts

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Prismatic Wall

Prismatic Wall by Electronic Audio Experiments

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