The FREE THE TONE SOV-2 OVERDRIVE uses a high performance DC-DC converter for its internal power supply circuit and drives its signal circuit by supplying ±15 Vdc, providing natural amplification of guitar sound and characteristics.

The SOV-2 with ample overtones features singing overdrive tone that can express subtle picking nuances as differences in timber.

Demo by  Jon is just TOO LouD!!

Demo by Bluesman

Review by The Gear Page

Review by musicradar

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SOV-2 Overdrive

“Creation of a new sound” ― this was the motto for the development of FREE THE TONE “FUTURE FACTORY” FF-1Y. Many digital delay units that implement a modulation function have been introduced to date. In general, the phase of a low frequency oscillator (LFO) used in these modulation circuits changes regularly at a preset cycle. However in our “FUTURE FACTORY,” we succeeded in creating a new modulation sound with a unique method in which signal’s phase changes at random when the signal crosses a certain attenuation level. This creates an unprecedented effect in which a fluctuating spacious sound seems to float in the air. (This function works best when used in Stereo mode.)

Review by AMAZONA

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Demo by Leon Todd

FF-1Y Future Factory 

ARC-3 Audio Routing Controller

The FREE THE TONE FB-2 FINAL BOOSTER is a full-range booster that can provide +20 dB of boost. It will not degrade the highs and lows of your guitar signal when the effect is turned on and will provide a natural sounding boost without affecting the original tonal characteristics of your guitar or bass. The HTS circuit is also built-in to preserve the sound quality whether the effect is turned on or off. The Final Booster does not reverse phase when the boost is turned on. Although it is not widely known, boosters that employ a single-transistor or FET circuit cause a phase reversal when switched on, and this can cause the sound to drop in level or result in phase cancellation. The Final Booster does not have this problem.

Review by Free The Tone 

Demo by Brett Kingman

FB-2 Final Booster

Noise picked up by guitar and bass pickups has long been a problem for musicians, recording/PA engineers, and electrical engineers. In recent years, it is said that the amount of noise picked up by pickups has increased due to the spread of personal computers, LED light bulbs, cellular phones, and wireless devices. The type of noise varies from a low booming buzz to a very high shrill noise, depending on the location. In a severe situation, it may interfere with your guitar or bass playing. To make the noise less noticeable, the volume can be turned down quickly or muted with a volume pedal or switching system, but a limit is soon reached with such methods because there are often many different phrases and tunes to be played making it difficult to also deal with noise problems. We have received many inquiries about how to reduce noise, especially that picked up by pickups on stage and how to create an environment in which the player can concentrate on the performance.

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SOV-2 Overdrive

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