15 years ago Robin Trower called me and said he was doing some gigs with Jack Bruce and asked "Would it be possible to have a wah wah in a regular box so that one could get that "fixed wah" sound by clicking on the pedal?" He's got the first one, I think I have the other one.

Recently Joe Satriani asked me for one, so I revisited the circuit adding a Volume Control, 3 selectable Range Modes (Wacked, Jimi, and Shaft) , a Pickup Compensator mini knob (humbucker guys rejoice!), and JFET input and output buffers. These buffers completely isolate the circuit from outside influence and are only in-play when the pedal is ON, giving it a much broader range of wah effect, interfacing with all types of PU's better, and working with any amp whether it be hi-gain or clean. Turns a Fender into a Vox, and allows infinite sustain with little or no Distortion.

Demo by  tonymckenziecom

Demo by Alexis Guitars

Review by Rig-Talk

Review by The Gear Page

Product Page

WahFull

Roger Mayers Tycobrahe Octavia stand für den Oktafuzz Pate, ein Pedal mit dem schon Jimi Hendrix experimentierte. Trick und in den 60erwahrhaft innovativ ist, einem verzerrten Signal eine Oktave nach oben hinzuzufügen, was dem Ton eine eigenwillige Note gibt.Fulltone hat sich ein ums andere Mal um historische Vorbilder bemüht, was im digitalen Zeitalter nicht immer einfach ist, da die originalen Bauteile oft nicht mehr verfügbar sind.Mit dem Oktafuzz gelingt es dem Hersteller, nicht nur Retro-Fans zu begeistern. Allein der pure Zerrsound fernab kalten Transistor-Sägens ist eine Überlegung wert. Hier produziert der Bodentreter viel singendes Sustain, flexibel und praxistauglich.

Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 16ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe.

Demo by  Ginda Bestari

Demo by Regent Sounds

Review by audiofanzine

Octafuzz OF2 Manual 

Octafuzz OF-2

The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions:

Comes with the a custom-wound Fulltone pot...the most accurate (in resistance AND taper) reproduction of the vintage ICAR used in certain VOX wahs of the 60's and early 70's.
Variable Input Level Control
True-Bypass w/ bright side-viewable low current Pilot light status indicator
3 selectable modes:
Wacked
Jimi" (Clyde Standard)
Shaft
The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all!

All CLYDE Deluxes sport the most authentic '60's Vox type inductor available, which happens also the quietest... our hand-wound Fulltone inductor and the long-life Fulltone-1 wah pot.

Product Page 

Manual

Review by GUITAR PLAYER

Clyde Deluxe Wah

Full-Drive3
Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control.

3-way CLIPPING toggle switch:
set to 90’s and you’ll get symmetrical clipping with ample midrange.
Set the switch to WIDE ASYM (wide asymmetrical) and more sweet highs and lows come through, along with chimey, Class-A style even harmonic overtones.
set to COMP-CUT mode, pure opamp-overdrive, with no diode clipping assistance. Aggressive, cutting, and capable of a huge volume boost to slam the input of your amp.

Discrete Channels:
Unlike the FD2, the FD3 has completely independent OVERDRIVE and BOOST channels, and the ORDER toggle switch allows placing the BOOST channel* before* or after the OVERDRIVE channel. The BOOST channel is also an extremely transparent, high-headroom 100% JFET-powered circuit.

Buffered Bypass:
Serial# 2548 and higher FD3 pedals are now Buffered-Bypass instead of True-Bypass, so the FD3 will always drive long cables, be isolated from other effects, and always retain the highs and “feel” of your amplifier whether the pedal is turned ON or OFF. Do not confuse the hi-quality JFET op-amp buffer in the FD3 with the simple single transistor buffers on other pedals. The FD3's buffer sounds rich and fat, not thin.

DYNAMICS knob:
A Fulltone-exclusive Germanium diode Limiter circuit circuit that alters the feel of the notes being played as well as subdues transient spikes which can overload your amp’s input. This feature can make even a stiff amp feel responsive and juicy, and sweeten the treble frequencies.
The Icing on the cake? 
The housing is about 20% smaller than the traditional FD2



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