The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

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Review by bonedo

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Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

Clipping = Distortion, and for many years we’ve only been offered two clipping choices: Soft-Clipped or Hard-Clipped.
Soft-Clipped pedals include Tube Screamers, Fulldrive2, OD-1, Zendrive, etc, which get their distortion by using diodes placed in the feedback loop of their Opamp. This type of clipping is generally favored by the folks wanting a cleaner, more compressed, low-to-medium gained Overdrive sound. The other choice we have are Hard-Clipped pedals like the RAT, Distortion+, Boss DS-1, etc. These pedals create distortion using diodes tied to ground or, unique to the Fulltone OCDv2, Mosfets that are tied to the half-way point between 9volt and ground (Vref) offering a more natural sounding distortion, one that emulates the SAG (feel) of an amp’s tube rectifier..

Demo by J Tracks

Demo by fulltoneeffects

Review by The Gear Page

Review byguitar pedal X

Review by delicious audio

Plimsoul

Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Ours has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.

Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut.

Review by awkwardsound

Demo by shnobel

Demo by DutchGuitarDude

70 Pedal-BC

The Fulltone Bass-Drive MOSFET gives bassists their day in the sun, providing tones that are nice and dirty, but with the rich bottom-end they crave. The Bass-Drive can be considered a close cousin to the Full-Drive 2 overdrive, but voiced with an extra octave of expanded bass coverage - perfect for purveyors of the low-end. For bassists looking to add some grit and color to their sound the Bass-Drive MOSFET is just the ticket; tone-conscious guitarists have also found the the Bass-Drive to be a useful tool, too!

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