Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings.

Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding.

The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.

v2 is a huge improvement in the way the 3rd transistor is biased, making every single one consistently epic sounding!

Demo by  Sergio Serra Music

Demo by Jack Fossett

Product Page

Review by The Gear Page

Manual

Fulltone Soulbender SB-2 Manual 

Soul-Bender SB2

If you've ever played through a "healthy" Echoplex tape echo unit, you know that no delay (rackmount or pedal, analog or digital) can replicate its natural, warm, and shimmery tones. The downside? They could be noisy and unreliable. But now the folks at Fulltone come to the rescue with the Solid State Echo! It's dead-quiet, and they've completely re-vamped the electronics, the tape transport path, and even the tape cartridge itself! Now you can hit the stage or make tracks with authentic tape echo without fear!

Official Website

Review by gretsch-talk

Review by AMAZONA

Tape Delay SS ETC-1

Featuring 3 x hand-picked New old Stock BC184C discrete transistors, this spicy number is capable of vicious, massive sounding Distortion/Fuzz that will feedback infinitely even at bedroom levels! But here's the clincher, dial back the "H" (heat) knob and "D" (distortion) knobs and you can nail many Jimmy Page studio tones as well as your favorite Floyd sounds. Quite possibly the most versatile distortion/fuzz ever made.
In a tiny package (this pedal fits in the palm of your hand) with top-mounted jacks, High Impedance input ( sorry Fuzzface) , ultra Low Impedance output, (sorry fuzzface) with an ability to interface with any guitar, effect or amp. Top it off with a beautiful Midrange (sorry fuzzface) and that makes it truly "More Bad!

Demo by Twin Town Guitars

Demo by HaarGuitars

Demo by musictoynetwork

Más Malo

The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions:

Comes with the a custom-wound Fulltone pot...the most accurate (in resistance AND taper) reproduction of the vintage ICAR used in certain VOX wahs of the 60's and early 70's.
Variable Input Level Control
True-Bypass w/ bright side-viewable low current Pilot light status indicator
3 selectable modes:
Wacked
Jimi" (Clyde Standard)
Shaft
The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all!

All CLYDE Deluxes sport the most authentic '60's Vox type inductor available, which happens also the quietest... our hand-wound Fulltone inductor and the long-life Fulltone-1 wah pot.

Product Page 

Review by GUITAR PLAYER

Clyde Deluxe Wah

The CS-ABY-ST is now the "v2," is now Black , still the best ABY switcher in the world, and just got a LOT smaller!

The CS-ABY-ST V2 has silent soft switches. No pops, no ticks, and no electrocutions, thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies like the "industry standard" transformer does, so fuzzes played through the True-Path sound round and distortions don't sound strident. I can hear it, so can you.

Using the most advanced 4 opto switching system ever, yet also offering the purest signal. I developed our photocells over the last year with a rather patient optocoupler manufacturer (Thanks Fred), and my cells only have around only 50 ohms series resistance compared to the Vactecs (which all other optocoupler switchers use) offering a whopping 300-400 ohms of series resistance to your guitar's signal. I can hear 300 ohms... you can hear 300-400 ohms.

Demo by  TC Music Enterprise