15 years ago Robin Trower called me and said he was doing some gigs with Jack Bruce and asked "Would it be possible to have a wah wah in a regular box so that one could get that "fixed wah" sound by clicking on the pedal?" He's got the first one, I think I have the other one.

Recently Joe Satriani asked me for one, so I revisited the circuit adding a Volume Control, 3 selectable Range Modes (Wacked, Jimi, and Shaft) , a Pickup Compensator mini knob (humbucker guys rejoice!), and JFET input and output buffers. These buffers completely isolate the circuit from outside influence and are only in-play when the pedal is ON, giving it a much broader range of wah effect, interfacing with all types of PU's better, and working with any amp whether it be hi-gain or clean. Turns a Fender into a Vox, and allows infinite sustain with little or no Distortion.

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Deja'Vibe CS-MDV-1

Fat-Boost FB-2

What does it do best? Clean Boost, non compressed crunch tones (ala Jimmy Page, 70's Jeff beck) and non-compressed distortion/fuzz sounds...accent on NON-compressed. Other unusual traits of the Catalyst are its tight low end and ability to give both flat EQ and accentuated Mid distortions simply by manipulating its 2 band EQ.

Until the Catalyst...only Fuzzface-type pedals Truly cleaned up when you turn down the guitar's volume knob, but Fuzzfaces tend to get unuseably bright for most players as you turn the guitar's volume down...not the Catalyst, that's something that Jeff beck has recenlty noticed & embraced about the Catalyst.

Catalyst can be a FUZZ/Distortion (with toggle switch set to "Flame" position)

Catalyst can be a Phenomenal clean-boost, and overdrive as well (with toggle switch set to "Spark" setting)

Catalyst can be so raw yet can be so refined, and so musically useable that it can be confusing to those used to the standard fare "one trick ponies"

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