The Clusterfuzz Micro is the smaller brother to our Clusterfuzz and Clusterfuzz Jr. pedals. It’s the same circuit under the hood, with a few less features to allow it to fit into a standard 1590A-sized enclosure. It uses the same types and values of components as its bigger siblings, we simply scaled it down to a smaller footprint based on feedback from our customers.

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Clusterfuzz Micro

Inspiring almost as much drama as the Klon, the CJOD is our take on the once wildly popular, rare as hen’s teeth, splatter-painted Clay Jones Overdrive. If you don’t know the backstory on this one, click here to read all about it (but bring some popcorn). Our version is true to the original with one exception: our diode selector switch has three options (instead of two): 1) asymmetrical silicon diodes (1N914), 2) LEDs, and 3) a “diode lift” (no diodes) in the center position. All the great tone of the CJOD (and more), but without the high price tag and inflated hype. Fans of expensive Tubescreamer-inspired pedals will enjoy that boutique “808” tone at a truly reasonable price and less than half the pedalboard footprint.

CJOD

The Gate Crasher octave fuzz is a gnarly octave-up fuzz that produces controllable gated fuzz tones with over-the-top octave harmonics. Under the hood, the Gate Crasher relies on CMOS logic integrated circuits to create the chaos. There are no finicky, temperamental vintage components inside, so you can be sure your tone is the same regardless of ambient temperature at the gig or in the studio. The circuit design is novel and not based on any pre-existing commercial products or DIY projects. In other words, this ain’t your grandpa’s octave fuzz, nor did we “borrow” the circuit from our peers. If you want a more vintage-like octave fuzz, check out our signature pedal The Cannon.

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Gate Crasher

The Parallax is a modulation mashup consisting of an optical op-amp-based tremolo with an OTA-based 5-stage phaser bolted on to the front end. The tremolo can be transparently subtle or very deep, and allows for triangle and square waveshapes that can be blended together for a full spectrum of sound shaping. The phaser front-end can be toggled on/off via a dedicated footswitch and is capable of very slow and subtle filter effects up through watery phase-shifting madness. Think of it as a flexible tremolo with a phaser riding shotgun.

Parallax

The Third Rail is dual-channel overdrive with three distinct bypass switching modes (described in detail
below). It can go from a very touch-sensitive low-gain overdrive all the way up through blistering lead
drive tones. Each overdrive channel is an independent circuit, and both can be used individually or
stacked together. The pedal features soft-touch footswitches for near-silent operation.

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The Third Rail Dual Overdrive

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