Shroot II

The Original Machina was a precursor to the Creature pedal with two circuits that worked in tandem for rich sounds. The Creature pedal was both Machina circuits in series with SMT assembly and is still available to order and remarkably consistent.

That brings us to 2023 and the Machina Germanium transistors and all “through hole” construction and mechanical True Bypass switching. Basically. This is a fuzz done the old school way in limited small batches. It also is a LARGE form factor (1590XX) to make it easier to freely use all the knobs and toggles.

The extra controls on both modes allow fine tuning control and the toggles engage a NOS germanium transistor for either side for big tonal shifts and vintage warmth.

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Machina 2 

Taking the main drive engine from the Shroot series, and enhancing the entire EQ section to include a new deeper “Low” Control and well as the “Scoop” for low mid and “Mid” for High mid adjustment, the entire platform has been optimized for a lower noise floor than ever.

Made for Metal!

Review by reddit /guitarpedals

Demo by Kyle Bull

Shred 3D

True Bypass: The mechanical relay system ensures your signal remains untouched between the jacks, even with no power to the pedal.

Deep in the forests of the Pacific Northwest dwell the Fuzz Imps, a rare species of wild mythical creatures. These unassuming fuzzy friends transform into roaring and raging beasts when stepped on, their echoes reverberating throughout the land.

The 5 controls are highly interactive, allowing you to shape the tonality and feel of the pedal, ranging from noise to tame.
Squish and Gate: These bias controls act as independent noise gates for the various transistors in the circuit. Dialing in the sweet spots (try turning them up towards 9 o’clock) offers tight precision with no noise between riffs. For a wilder side, turn them to the left, engaging high gain for wild oscillations and crushing sonic destruction.
Clang: This is the gain control for the in-line overdrive/fuzz circuit, kicking in around 9 o’clock. When cranked, it enhances low notes, causing the fuzz to bloom and compress. Be cautious, as setting it to zero will mute the input, but it serves as a great tool for oscillations.
Fuzz: This gain control adjusts the second fuzz circuit and sounds great at every level, from 0 to max, depending on the Squish and Gate settings.

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