A collaboration between veteran producers Will Putney and Kurt Ballou, Pariah is a devastating fuzz with extreme tone-shaping capabilities inspired by one of Will’s favorite dirt boxes. At its heart are four silicon transistors hand selected to produce harmonically rich yet articulate fuzz. Modern passive components and relay bypass switching ensure low self-noise and reliability for years to come. The three tone controls—Tilt, Mid, and Shape—are quite interactive. Tilt adjusts the overall balance between bright and dark. Mid controls the amount of mid scoop. Shape (along with the position of the Tilt knob) adjusts the mid frequency.

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Pariah

Inspired by an overdrive/distortion favored by many guitarists from the Merrimack Valley hardcore scene of northeastern Massachusetts, Riffchild is an excellent way to push a tube amp into anything from subtle boost to over-the-top distortion. It features an active bell-shaped bass boost to add depth without mud and a passive treble shelf for to smoothly add definition and focus. Warning: this pedal is very loud! 

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Riffchild

Jugendtief is an absolutely savage bass drive for when only the filthiest of bass tones will do.  It features two parallel dirt controls; an overdrive and a fuzz, as well as an HM-EQ with bass friendly frequency curves. There's also trim pot inside to control presence frequencies for all the hackers out there. 

Jugentief

Inspired by Rat and Muff circuits and with a new old stock LF351 at its heart, Bad Larry forges its own path through a forest of daggers into a putrid sea of grime.  A favorite around the studio for clanky bass, it's also fun for thick, saggy fuzz tones.   

"Bass" switch affects how much low end is allowed into the clipping stage.

"Clip" switch changes between hard clipping, boost, and bass boost modes. 

"Mid" switch affects the character of the Muff-style tone stack, allowing for the traditional mid cut sound, as well as flat and boosted mid responses. 

Bad Larry

Onslaught is a simple yet highly useful one-knob distortion for pushing medium-gain tube amps.  It's also an awesome transparent boost for guitar or bass. 

This updated version expands upon the original with the addition of a "Mode" switch.  "B" for boost is the original sound, "D" for distortion adds hard clipping to increase distortion and decrease output, and "S" for sub, which applies hard clipping to only the high frequencies, resulting in a perceived sub frequency boost.  

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