Der SOMA '63 Vintage Preamp ist das erste Pedal in der XFR-Serie von Greer Amps und eröffnet eine neue Klangwelt. Der SOMA '63 ist ein echter Vintage-Preamp, der auf dem Klang und dem Gefühl von Vintage-Verstärkern der braunen Ära aus Kalifornien basiert. Dieses Pedal simuliert den gesamten Vorverstärker, den Phasenumkehrer, die Leistungssektion und sogar das Gefühl der alten 10-Zoll-Utah-Lautsprecher, die in diesen berühmten braunen Verstärkern waren. Der Tone Stack ist so konzipiert, dass er dem Benutzer eine breite und dynamische Palette von Klangoptionen bietet. Der Presence-Regler arbeitet mit dem Tone-Stack zusammen und ist als Weitbereichsregler ausgelegt, der den Gesamtsound der gesamten Schaltung beeinflusst. Der SOMA '63 verfügt über einen Stahlkern-Transformator im Audio-Signalweg. Der Transformator trägt zur Klangformung des gesamten Schaltkreises bei, und wenn die Verstärkung stark angehoben wird, insbesondere bei Tonabnehmern mit höherem Output, wird der kleine Stahlkern-Transformator in die Sättigung gehen, genau wie bei einem klassischen Verstärker. Der SOMA '63 kann als tonformende Vorstufe oder als Overdrive-Pedal verwendet werden. Das SOMA '63 bietet eine große Auswahl an Sounds.

A brave new world of tone, the SOMA ‘63 Vintage Preamp is the first pedal in the XFR series of pedals from Greer Amps. The SOMA ’63 is a true vintage preamp, based on the tone and feel of vintage brown era amplifiers from California. This pedal simulates the entire preamp, phase inverter, power section, and even the feel of the vintage 10 inch Utah speakers that were in those famous brown amps. The tone stack is designed to provide a wide and dynamic range of tonal options to the user. The Presence control works with the tone stack, and is designed to be a wide range control, effecting the overall sound of the entire circuit. The SOMA ’63 features a steel core transformer in the audio signal path. The transformer lends to the overall tone shaping of the circuit, and when the gain is pushed hard, especially with higher output pickups, the small steel core transformer will saturate, just like a vintage amplifier. The SOMA ’63 can be used as a tone-shaping preamp, or as an overdrive pedal. There are a wide variety of tones available in the SOMA ’63, so spend some time with your new pedal, and find the tones that rock your world!

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Review by delicious audio

Review by Premier Guitar

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Demo by Noise Generator

Demo by MAS Distro

Soma 63

We’ve all had those late nights, filled with loud music, questionable decisions, and the occasional run-in with a big, beastly monster that wants to rip our faces off…right? Well…this is that night, in pedal form. The Gorilla Warfare MKII is a pedal that we have had a ton of requests for over the years. (We even did a super limited run of this pedal a while back, with a different graphic, slightly tweaked circuit, and a different chip…that was then, this is now, and this…this is better.) I’ve been asked more times than I can count to do a “Greer Amps version of the RAT circuit…and do it right”…well…here it is. This is our angry, aggressive, larger-than-life and not-holding-back version of the old familiar circuit, complete with the good old LM308 chip.

Demo by R.J. Ronquillo

Demo by Fuzzed Drones

Gorilla Warfare MKII

The Greer Amps Black Mountain Crunch Drive hearkens back to the metal panel, EL34-powered British tube monsters — looming large and bringing new dimensions of vintage tone to guitarists (and bass players, too!). With plenty of gain and output on hand for any situation and a flexible tone control that lets you push the mids well into crunch zone, the Black Mountain packs a formidable punch.

Review by guitar pedal X

Demo by Pedalboard of the Day

Black Mountain Crunch Drive

The Little Samson is the answer to a request from Andy Elliott. Andy is known as a tone guru, and an amazing guitar builder. He asked us to develop a pedal, and so began his challenge. The pedal had to be better than his favorite distortion pedal. We put our engineering hats on, and went to work. The Little Samson is a very flexible pedal, with amazing tonal possibilities. The idea behind this pedal was to get a "natural, higher gain, but still FULL," tone. The highest gain cousin to the Lightspeed & Southland, this pedal gives you chunky drive, with crunched out distortion and singing lead tones; yet, it still doesn't get buzzy or flubby

Demo by  johnny miller

Demo by  Spicer's Music

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Review by Peal of the Day

Review by Stompbox Steals

Review by The Gear Page

Little Samson

We’ve all had those late nights, filled with loud music, questionable decisions, and the occasional run-in with a big, beastly monster that wants to rip our faces off…right? Well…this is that night, in pedal form. The Gorilla Warfare MKII is a pedal that we have had a ton of requests for over the years. (We even did a super limited run of this pedal a while back, with a different graphic, slightly tweaked circuit, and a different chip…that was then, this is now, and this…this is better.) I’ve been asked more times than I can count to do a “Greer Amps version of the RAT circuit…and do it right”…well…here it is. This is our angry, aggressive, larger-than-life and not-holding-back version of the old familiar circuit, complete with the good old LM308 chip. That’s an important detail—so we smacked it on the faceplate. This beast is powered by the same vintage chip that sparked folklore galore back in the day. We updated a few things, including the quality of the components used in the circuit, and you know that old Filter knob? Well, we turned it into a Tone control. It covers the exact same territory the original Filter control did, but…when you turn it up, you get more treble! AMAZING, I know! This beast is ready to melt rigs, rip faces off, and go to war. If you’re ready to try to tame this beast, step on up. If you’re ready to rock out, spit fire, and roast your ear holes, the Gorilla Warfare MKII is just what you need.

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