Pirate is an analog distortion/fuzz pedal for demanding musicians.
The legendary Proco™ Rat™ with tons of new features.

It’s hard to say if it’s still distortion or fuzz. One thing is for sure – it kicks asses and gives you a lot of fun playing.

Immerse yourself in a world of new possibilities and unleash your creativity.

Manual

Demo by  Bartosz Bazok Zelek

Official Product Video

Product Page

Pirate

Total Screamer is an analog overdrive for the demanding musicians. The legendary Ibanez™ Tube Screamer™ with tons of new features.

Its warm characteristics allow you to boost the amp without the unpleasant harshness in the high registers.

Demo by BUZZBEE TV

Total Screamer

Obsessive Driver is an analog overdrive for the demanding musicians.
The legendary Fulltone™ OCD™ with tons of new features.

Its rough and uncompromising sound will cut through any mix. Its aggressive midrange and powerful low end are perfect even for low-gain applications.

Immerse yourself in a world of new possibilities and unleash your creativity.

Review by The Gear Page

Demo by Bartosz Bazok Zelek

Obsessive Driver

I have developed an exact replica of the already famous Lovetone Brown Source. I had this opportunity thanks to access to the original device. On the Internet you can find several patterns with errors, I managed to avoid them in my product.

My cube is a 1: 1 copy, i.e. it works and sounds identical to the original. I was able to reduce the dimensions of the cube relative to the original several times, making it easier for her to find her place in the pedalboard.

Brown Source is considered a difficult cube to tame, which I completely disagree with. You just have to remember that it serves as an add-on to a tube amplifier, not an independent overdrive. Brown source will squeeze the last juices from your lantern.

The cube has 4 knobs. Volume and Gain do not require a description. An interesting issue is the Tone knob. Below 12:00, the knob adds low frequencies and cuts high. Above 12:00 the other way around. Just like in the Big Muff correction system. The 4-position rotary switch allows you to choose one of four options for shaping the band. OFF - tone knob inactive. 1, 2, 3 are three different sounds and behavior of the Tone knob.

Official Website

Brown Sauce

I've developed the exact clone of the famous DOD FX-32 Meatbox Subsynth pedal (original, not the reissue one). I was able to do that by having access to the original unit. 

My pedal is 1:1, 100% clone of the original Meatbox and it's true bypass. I'm using only the best components possible. Actually it's probably better than the original. 

Meatboss generates lower octave which can go down to about 20Hz. The pedal has 4 controls. 30Hz and 60Hz are bell/notch filters which are flat at 12:00. They add huge amount of sub frequencies when turned clockwise. Mix knob lets you set the amount of lower octave added to the dry signal. Volume also works exactly like in the original, but I've increased the maximum output 5 times, so it's way louder than the original.

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