ABRACADAVER is a transformer based octave up boost/overdrive pedal.

The main goal I had in mind when developing the ABRACADAVER was to be a simple way of adding a sprinkle of chaos to your other drive pedals. Place it before your fuzz for a fuller, more harmonically rich sound or place it after fuzz to turn it into a wild octave fuzz in the vein of an octavia. It's essentially a real tone messer-upper that takes any drive it touches straight to gross town.

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Demo by Theo And His Pedals

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Abracadaver

Plague Pit was born after receiving multiple requests to build a pair of Abracadaver circuits into a single box.

Plague Pit expands the regular Abracadaver circuit by taking its internal controls and bringing them to the outside of the pedal. There are independent controls for both Volume and the ‘Clang’ amount of each respective circuit. I have also massively increased the gain of the Abracadaver circuits to drive your amp a little harder (although you can switch back to the regular level of gain via an internal dip switch if you wish.)

The two circuits are wired in series from right to left. This means you can either use the circuits independently or stack them for double the fun. Dial back the volume on your guitar for strange clanging sitar impressions before kicking in the second circuit to completely obliterate your amplifier. With the Clang knobs dialed back it spews forth a thick and sludgy fuzz tone perfect for doom. As you crank the Clang knobs the octave up blends into the signal to drag your guitar to the forefront of the mix when playing with a band.

Review by reddit /guitarpedals

Demo by Tunnel of Reverb

Plague Pit

Deforming is a PT2399 based delay with an envelope controlled warp function.

We've all played a show where you get to the end of your set, click on your delay pedal, crank the feedback knob and manically twist the time knob for walls of time bending chaos.

The concept behind Deforming was to make that time knob manipulation possible without having to drop to your knees and put your hands on the pedal. Meaning you can keep playing while the delay signal bends and warps around your playing.

Deforming features an input preamp which can be driven hard to saturate the unit and emulate the preamps of old tape machines. This preamp control also helps you reduce the input volume to balance out the signal when driving the unit with loud dirt pedals.

The warping effect can range from subtle pitch wobbles for shoegazey chord movement through to all out warped chaos at the most extreme settings.

Review by delicious audio

Demo by Fuzz Eater Gear Demos

Deforming

Mountain Mover ist eine „Big Muff“-Variante gepaart mit einem Ringmodulator.
Die Idee hinter Mountain Mover war, einen aggressiv klingenden Fuzz für das etwas ausgefallenere Publikum zusammenzustellen, das in Sachen Dirt etwas anderes bevorzugt.

Mountain Mover is a ‘Big Muff’ variant paired with a ring modulator.
The idea behind Mountain Mover was to put together an aggressive sounding fuzz for the weirder crowd who prefer something a bit different when it comes to dirt.

Mountain Mover

Glass Palace is a glassy low to mid gain drive pedal (hence the name) that is suitably at home providing twinkly midwest-emo chime through to awkward and discordant noise rock.

At the circuit’s heart lies one of my favourite preamp circuits of all time, the DOD Bifet Preamp. The original circuit was great for adding some secret sauce to your guitar sound and I have always kept one on my pedalboard in some form or another.

Glass Palace’s circuitry takes a step away from its source material as it’s been cross contaminated with Fuzz DNA. Two switchable flavours of transistor based fuzz circuits lie at its core, with those two respective circuits being both pushed and emphasised by the preamp circuitry.

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