Born of the same DNA as the Teeth, the Triage has your boost, grit and level covered.  Elements of the circuits are similar, but the Triage dwells on the wet side of the Teeth’s design.

Triage is an all-transistor, ground-up Horrothia design.  A JFET preamp (followed by an internal clean-level trimmer) feeds an overdrive stage made using a transistor based discrete opamp - no chip ICs here.  The overdrive stage has a voicing MID PEAK switch.  Off, the Triage is a full range boost.  On, there is a distinct, carefully chosen mid-bump. The HF balance control is a high frequency cut or boost – dialled to full acting like a hot knife through a band mix. 

Front end preamp or overdrive?  It’s both.  Bass and acoustic as well as electric?  Sure thing.  Dial it right down to use as a front end to brighten up vintage pickups?  Uh huh.  Wind it right up for compressed crunchy overdrive?  In spades.

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Triage

Teeth was a necessary evolution.  'Straight into amp' clean was always dull, especially at volumes correct for small stages, or late night recordings.  Overdrives added too much crunch, even at the lowest settings.  Teeth is the solution to the conundrum.  It is a low gain pre-amp / overdrive with a blend between completely clean and slight grit.  Use it as an 'always on' to brighten up old pickups or kick some colour into your signal chain or as a standalone overdrive - up to you.


New for the Teeth MKII, the Breath knob gives you continuous control of the high frequencies.  In the centre of the pot, the high frequencies are flat, and either way you can cut or boost to add colour.

The Teeth MKII also runs from 9-18V DC power, so you can choose the amount of headroom that the pedal runs at. The original Teeth had an internal charge pump, running the pedal at around 17V from a 9V inp

Demo by Brock Davisson

Demo by Sasha Ivantic

Review by Premier Guitar

Review by The Gear Forum

Teeth MKII

Review by Sound on Sound

Demo by Pedal of the Day

Demo by Demos In The Dark

Berkeley

The Berkeley signal path is almost exactly identical to the original late 60’s vibe.  Carbon film resistors, Mylar caps, transistors chosen for very very similar or identical characteristics to the originals.  Some small key changes have been made in line with mods that were done in the late 60’s to open up the low-end and add more liquid movement.
There are 4 photocells, but no bulb.  Hand chosen Vactrols are matched one by one in a custom test fixture to make sure that every component works within a well defined ‘sweet spot’ range.  No guessing here. 

Demo by Fret Junkies

The Type One is a stereo analogue chorus ensemble effect.  It is loosely modelled around the DNA of the true sultan of chorus, the Boss CE-1 from the mid-1970s.  Both use a very unique LFO waveform unlike any other chorus or vibrato pedal.  Like the CE-1, the sound quality is ethereal and encompassing, especially when listened to in stereo.  It also does that John Frusciante thing.

The Type One has been finely tuned to give maximum clean headroom, so even a strummed bass, a synth, or a humbuckered guitar won't hit the stops.  Likewise, if you are a low frequency warrior, the Type One won’t rob you of Lo Hz.  The Type One features a very low quiescent noise floor, so it is as equally at home in a studio as in front of a cranked amp on a festival stage. 

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