The Ibanez EC-30 Elephant Comp is a compressor/sustainer pedal designed for guitarists, part of the EC series. It provides a unique blend of compression and sustain, allowing players to achieve a wide range of tonal variations.

Review by Talk Bass.com

Official Website

Manual

EC-30 Elephant Comp

The Ibanez ES2 Echo Shifter is an analogue delay pedal with a plethora of easy-to-use functions. Although the ES2 is an analogue pedal, it almost feels like a digital pedal because its functions are so incredibly easy to operate. The delay has three different settings. In oscillation mode, for instance, the delay will make vibrations, providing a psychedelic effect. With the modulation, you can create chorus-like delays and of course, you can also switch off both effects to get a natural-sounding delay.

Demo by Pedal of the Day

Demo by Premier Guitar

ES-2 Echo Shifter

A phaser uses phase shift networks to create "notches" and "peaks" in the signal response. When the amount of phase shift is charged the notches and peaks move or "sweep". The PT Phaser uses eight phase shift networks that provide rich, deep phasing for guitar, keyboard or bass. The PT9's sweep circuit is exceptionally smooth and provides adjustable sweep width and speed. The feedback control adjusts the level of phasing intensity. The PT9 Phaser - versatility and sonic quality for stage or studio.

Demo by  KRAZEEIZATION

Demo by  Vintage Guitar Workshop

Review by mylespaul

Review by reddit /guitarpedals

PT-9 Phaser

The DE7 gives you the best of both worlds: either a high-tech delay or a vintage sounding echo,with the simple flick of a switch. With over 2 seconds of Delay Time, Repeat and Level knobs forprecise control and stereo outputs, you will be adding new dimensions to your sound in no time

Product Page

Review by pedal-of-the-day.com

Review by guitartest.de

Demo by Wall of Sound

Demo by Stompbox Breakdown

DE-7 Delay/Echo

The BE10 is a redesigned version of the GE10 for bass guitar. Unlike guitar eqs, that start at 100Hz, the BE10 begins it's eq range at 63Hz. The reason for this is simple. Guitar equalizers just can not properly handle the low notes that a bass guitar creates. The open "E" on a bass resonates at 41Hz, far below the 100Hz cutoff of a guitar eq. By beginning the equalization process at 63Hz instead of 41Hz, the tone and "punch" of the low "E" is realized but the harmonic rumbling is left out. The result is a frequency range that lets you reach the fullest dynamic potential of your bass guitar, with the full freedom to get any tone that you desire.

Demo by  Circuit Bending Fool

Review by Tonehome