Der Ibanez NU TUBESCREAMER ist das allererste kompakte Gitarreneffektpedal, das eine Nutube direkt in seine Schaltung integriert. Diese Kombination aus Ibanez Tube Screamer mit KORGs Nutube-Technologie hat zu einem Overdrive mit außergewöhnlicher Dynamik, verbesserter Empfindlichkeit und natürlicher Röhrenkompression geführt.

The Ibanez NU TUBESCREAMER is the very first compact guitar effects pedal to integrate a Nutube directly into its circuitry. This combination of Ibanez Tube Screamer with KORG's Nutube technology has resulted in an overdrive with exceptional dynamics, improved sensitivity and natural tube compression.

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NTS Nu Tubescreamer

Exakt vier Dekaden nach der Einführung des wohl berühmtesten Overdrive-Pedals veröffentlicht Ibanez mit dem Ibanez TS808 40th Anniversary eine limitierte Sonderauflage des sonst knallgrünen Treters. Die limitierte Auflage im einzigartigen Ruby Red Sparkle Finish ist in Japan gefertigt und verfügt über den legendären JRC4558D IC Chip und genau wie der Klassiker von 1979, einen komplett analogen Schaltkreis. Das Pedal ist streng limitiert und nur zum 40. Geburtstag des TS808 erhältlich!

Released to celebrate 40 years of Tube Screamer, the Ibanez TS808 40th Anniversary Limited Edition features a unique Ruby Red Sparkle finish. One of, if not the most recognised guitar pedals ever made, the Tube Screamer is an integral part of countless guitarists’ rigs. Simple controls and the same circuitry as the original make this limited edition model the perfect choice for the guitarist looking for a TS808 which will sound just right, while standing out visually on the pedal board.

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Tube Screamer 40th Anniversary Ruby Red Sparkle

The first dedicated filter pedal for the guitar, the LF7's voltage controlled analog high and low pass filters allow you to emulate transistor radio and megaphone type sounds. Best used at the end of a signal chain in combination with other pedals, this ticking time bomb creates wide soundscapes of far out tones that previously required a massive rack of analog electronics. The Lo Fi also performs equally well with vocals, drum machines or in any "mix-down" context.

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LF-7 Lo Fi

Ein Jahr später, 1986, erschien die “Power Series”, bzw. die 10er Reihe, zu der der TS10 zählt, mit mehr Veränderungen in der Schaltung. Hier wurden sehr kostengünstige Komponenten verbaut, die Stecker sind nicht am Gehäuse, sondern auf der Platine verschraubt und das Chassis ist dünner. Gegen Ende der Produktion wurden einige TS10 in Taiwan gebaut und mit dem MC4558 Chip versehen. Die frühen Made in Japan TS10 sind mittlerweile trotz der erwähnten Abstriche sehr gefragt, nicht zuletzt, weil auch John Mayer mittlerweile dieses Pedal benutzt.

As with other Tube Screamers, the TS10 features the same three controls: Drive, Tone and Level. This model in particular is extremely responsive to the dynamics of your playing, making it a great pedal to crank up and then control via your guitar’s volume knob, for all the control over your overdrive you could want. Starting with the Tone and Drive around 9:00, it’s fun to try out different settings, both on the pedal itself, and playing with your guitar’s controls. The TS10 is also a joy to use with other pedals, especially a good boost, which can propel the overdriven sound to drive your amp beautifully, just beyond break-up, but still clean and clea

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TS-10 Tubescreamer 

For most bassists, applying distortion to their instrument's sound is still unheard-of, but that is only because conventional distortion effects have not been able to deal with the characteristics of the bass tone, cutting of the low frequencies and causing a loss of dynamic quality.

Now, this has all changed thanks to the Ibanez BS10 Bass Stack. Here is the first distortion effect developed specifically for the discerning bassist. With a distortion range that beautifylly handles the wide audio spectrum of the bass, the BS10 faithfully and naturally distorts the original sound to produce a fat and heavy timbre with a powerful presence. It features a Drive control to vary the effect's intensity over a broad range and a Tone control for harmonic equalization. These settings let you use the BS10 for a large variety of applications: it is great as a pre-amp or a mild overdrive, but also as a wild distortion effect giving a radical fuzz bass sound. The BS10, a versatile dream-come-true for the creative bassist!

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