"One of the sweet surprises of our roundup. The EM5 excels at everything from primitive slaps to acid-washed chaos." Guitar Player Magazine, July 1997

"Last month we slobbered over the warm analog tones of the Ibanez Echomachine pedal...we're still slobbering but Ibanez has pointed out that the pedal is in fact digital delay." Guitar Player Magazine August 1997

What more can we say? The Echomachine sounds so good some of the best ears in the business thought it was analog. The EM5 replicates the great spacey sound of the old tape echo's without the hassle of cleaning heads and replacing tapes.

Demo by Brook Hoover

Demo by  hovercraft Artifact

Review by Tinkercity

Review by Musiker-Board

Review by Mirosol Kapsi

Official Website

EM-5 Echo Machine

Distortion and chorus are certainly among the most popular of today's effects. The Ibanez SS10 Session-Man combines the two in one convenient package, giving you both the fat sound and tenacious sustain of a distortion pedal with the lush and mellow tone of the chorus effect. The distortion section offers a wide drive range, and the chorus section gives you all the basic control you need. What's more, the two built-in effects can be switched for parallel or serial connection, placing a whole gamut of combined effects at your disposal. In particular, the Parallel Mode creates a beautiful unison timbre, mixing distortion with a rich yet clear chorus effect. With the SS10, you can add unique new variations to your sound.

Demo by AMP BUDDIES

Demo by MatthewChapmanMusic

Review by Tonehome Blog

Review by reddit /guitarpedals

Review by The Gear Page

Manual

SS-10 Session Man

Ein Jahr später, 1986, erschien die “Power Series”, bzw. die 10er Reihe, zu der der TS10 zählt, mit mehr Veränderungen in der Schaltung. Hier wurden sehr kostengünstige Komponenten verbaut, die Stecker sind nicht am Gehäuse, sondern auf der Platine verschraubt und das Chassis ist dünner. Gegen Ende der Produktion wurden einige TS10 in Taiwan gebaut und mit dem MC4558 Chip versehen. Die frühen Made in Japan TS10 sind mittlerweile trotz der erwähnten Abstriche sehr gefragt, nicht zuletzt, weil auch John Mayer mittlerweile dieses Pedal benutzt.

As with other Tube Screamers, the TS10 features the same three controls: Drive, Tone and Level. This model in particular is extremely responsive to the dynamics of your playing, making it a great pedal to crank up and then control via your guitar’s volume knob, for all the control over your overdrive you could want. Starting with the Tone and Drive around 9:00, it’s fun to try out different settings, both on the pedal itself, and playing with your guitar’s controls. The TS10 is also a joy to use with other pedals, especially a good boost, which can propel the overdriven sound to drive your amp beautifully, just beyond break-up, but still clean and clea

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