Compressor stompboxes are probably the most misunderstood pedals, because they don't "change" tone like a distortion or flanger. But what they do is maybe even more important: balancing string response, providing clarity and punch at any volume, and smoothing out sustain-all of which our CP5 does quite well.

Review by audiofanzine

Review by Musiker-Board

Review by Mirosol Kapsi

Demo by The Rolling Store

Demo by U S.

Official Website

CP-5 Compressor

Ein Jahr später, 1986, erschien die “Power Series”, bzw. die 10er Reihe, zu der der TS10 zählt, mit mehr Veränderungen in der Schaltung. Hier wurden sehr kostengünstige Komponenten verbaut, die Stecker sind nicht am Gehäuse, sondern auf der Platine verschraubt und das Chassis ist dünner. Gegen Ende der Produktion wurden einige TS10 in Taiwan gebaut und mit dem MC4558 Chip versehen. Die frühen Made in Japan TS10 sind mittlerweile trotz der erwähnten Abstriche sehr gefragt, nicht zuletzt, weil auch John Mayer mittlerweile dieses Pedal benutzt.

As with other Tube Screamers, the TS10 features the same three controls: Drive, Tone and Level. This model in particular is extremely responsive to the dynamics of your playing, making it a great pedal to crank up and then control via your guitar’s volume knob, for all the control over your overdrive you could want. Starting with the Tone and Drive around 9:00, it’s fun to try out different settings, both on the pedal itself, and playing with your guitar’s controls. The TS10 is also a joy to use with other pedals, especially a good boost, which can propel the overdriven sound to drive your amp beautifully, just beyond break-up, but still clean and clea

Review by pedal of the day 

Review by Gitarre & Bass 

Review by bonedo 

Demo by Pedalboards of Doom 

Demo by Hollywood Rare Guitars 

Demo by shnobel 

TS-10 Tubescreamer 

The same basic circuitry as the famed TS9 Tube Screamer in a more economical format (the TS9 has a more expensive housing and its handwiring makes it more labor intensive to build than the TS5). Most people can't hear the difference between the our affordable Soundtank Tubescreamer and the more expensive originals. Are you one of the few who can?-why not find out for yourself.

Manual

Demo by Riffs, Beards & Gear

Demo by Leon Todd

Review by guitartest

TS-5 Tubescreamer

The BE10 is a redesigned version of the GE10 for bass guitar. Unlike guitar eqs, that start at 100Hz, the BE10 begins it's eq range at 63Hz. The reason for this is simple. Guitar equalizers just can not properly handle the low notes that a bass guitar creates. The open "E" on a bass resonates at 41Hz, far below the 100Hz cutoff of a guitar eq. By beginning the equalization process at 63Hz instead of 41Hz, the tone and "punch" of the low "E" is realized but the harmonic rumbling is left out. The result is a frequency range that lets you reach the fullest dynamic potential of your bass guitar, with the full freedom to get any tone that you desire.

Demo by  Circuit Bending Fool

Review by Tonehome

Product Page

BE-10 Graphic Bass EQ

The Ibanez Phase Tone PT-999 is a guitar effects pedal that electronically simulates the sound of a rotating speaker, or “Doppler Effect,” by applying an integrated circuit. It provides a clear and defined phase shift without distortion. The pedal features a single knob, Rate, which controls the speed/rate of the LFO wave that controls the effect.

Featured Artists

Phase Tone (PT-999)

Media

Videos

Reviews

Links

Technische Daten

Weitere Pedals von Ibanez

Ibanez

CP-5 Compressor

Ibanez

TS-10 Tubescreamer

Ibanez

TS-5 Tubescreamer

Ibanez

BE-10 Graphic Bass EQ

Produkte

Bau dein Board

Services

Community