The Xerograph Deluxe is a 4-pole resonant lowpass filter, inspired by synthesizers, with deep envelope capabilities and expression control, which can be used together or separately.
In addition to the dubby static lowpass sounds and foot-swept resonant filter sweeps of the original Xerograph, the Xerograph Deluxe can create envelope filter sounds from classic auto-wah to modern subtractive synthesis, downward envelopes, and triggered slow synth sweeps.

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Demo by MrExcane

Demo by Dennis Kayzer

Xerograph Deluxe

The Nimbus is a high quality reverb designed specifically for bass and baritone instruments.

 It allows for deep and powerful reverbs to be created, with a built-in highpass filter on the reverb signal to keep the instrument’s low end intact without introducing muddiness, as well as a lowpass filter for creating darker timbres.
The Nimbus has a simple interface which allows the user to sculpt complex reverb sounds in an intuitive way, rather than being locked to presets or pre-defined tonalities.

Review by EffectsBay

Review by Talk Bass.com

Manual

Demo by Prymaxe

Demo by tokiony

Nimbus

The Oxide is a morphing gated fuzz, allowing the user to seamlessly morph between a raucous, industrial octave fuzz inspired by the Maestro Bass Brassmaster, to a modern synthy fuzz with a pinched, gated sound. It includes a clean blend to allow extreme amounts of fuzz without losing low end.

Review by Modular Grid

Demo by Paolo Giacci

Oxide

The FrantaBit is a digital bit crusher and sample rate reducer. It offers a wide array of glitchy digital tones, lo-fi crunchiness, video game synth sounds and buzzsaw harmonics. It is designed to be extremely powerful, but simple to use and dial in.

The FrantaBit includes an expression jack which can be assigned to bit depth, sample rate, both, or clean/effect mix – expanding performance possibilities in a live environment and in the studio.

Review by Pedals and Effects

Review by The Gear Page

Demo by Pedals and Effects

FrantaBit

Arcing Prisms combines a frequency shifter and a comb filter/delay line, locked together in a spiraling feedback loop of warped modulation.

 The frequency shifter is placed inside the feedback loop of a delay line, so that every time the sound is repeated, it gets shifted again. With subtle shift amounts and short delay times, this feedback accentuates the phaser-like filtering and cancellation of various frequencies, accessing an unexplored realm of sounds with elements of phasing, flanging, filtering, and vibrato all at the same time. With larger shift amounts and longer delay times, this feedback creates otherworldly gamelan-like arpeggios with timbres that shift with each repeat, or evolving synthetic textures.

Demo by Ed Pettersen

Demo by Bill Eppel

Arcing Prisms

Arcing Prisms by Iron Ether

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Xerograph Deluxe

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