The Divaricator is a versatile “tone toolbox” for bassists using effects. Using its 4th-order variable crossover, the pedal splits a signal into high and low frequency bands, and processes the high frequency band with any combination of three “exciters” - each enhancing a different aspect of the sound – before sending this enhanced harmonic content through an external effects loop. To tame the potential for enhancing high frequency noise along with the signal, a noise gate is applied to the excited signal path. The low frequencies are passed through directly, to preserve the bass frequencies without introducing muddiness, booming, or cancellation.

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Review by Talk Bass.com

Review by bassic.de

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Demo by Adam Hartley

Divaricator

Create massive, multi-faceted and shimmering sounds with the Polytope four-voice detuner/chorus/vibrato.

 The Polytope creates up to four copies of the input signal, which can be detuned in pitch from subtle thickening to huge multi-voice detuned synth sounds. The detuned voices maintain the timbre of the input and respond well to polyphonic signals. In addition to the static detune mode, the included LFO (low frequency oscillator) can be used to sweep the pitches of all four voices to create wide and deep chorus ensembles when combined with the clean signal.

Review by gearnews

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Demo by Arturo

Polytope

Arcing Prisms combines a frequency shifter and a comb filter/delay line, locked together in a spiraling feedback loop of warped modulation.

 The frequency shifter is placed inside the feedback loop of a delay line, so that every time the sound is repeated, it gets shifted again. With subtle shift amounts and short delay times, this feedback accentuates the phaser-like filtering and cancellation of various frequencies, accessing an unexplored realm of sounds with elements of phasing, flanging, filtering, and vibrato all at the same time. With larger shift amounts and longer delay times, this feedback creates otherworldly gamelan-like arpeggios with timbres that shift with each repeat, or evolving synthetic textures.

Demo by Ed Pettersen

Demo by Bill Eppel

Arcing Prisms

The FrantaBit is a digital bit crusher and sample rate reducer. It offers a wide array of glitchy digital tones, lo-fi crunchiness, video game synth sounds and buzzsaw harmonics. It is designed to be extremely powerful, but simple to use and dial in.

The FrantaBit includes an expression jack which can be assigned to bit depth, sample rate, both, or clean/effect mix – expanding performance possibilities in a live environment and in the studio.

Review by Pedals and Effects

Review by The Gear Page

Demo by MrExcane

Demo by Pedals and Effects

FrantaBit

Meron is a frequency modulation (FM) synthesizer, controlled by the pitch and dynamics of your bass or guitar.

 It starts with two pure sine wave oscillators which both track the frequency of the notes you play into it. One oscillator, called the Modulator, is not heard directly – instead it's used to modulate the frequency of the main oscillator, called the Carrier. This modulation transforms the pure sine tones into all kinds of clangs, bells, and intense electronic timbres.

Demo by Michael Shapinko

Demo by Zachary Rizer

FMeron

FMeron by Iron Ether

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