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Buffered Splitter

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SD-1 Super Overdrive reissue

Carcosa Fuzz

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 Pedal Controller L6 MKII

The Prophet Digital Delay

FX64 Ice Box Chorus

Pitchblack

In den 1990er Jahren machte ein Effektpedal-Hersteller aus England auf sich aufmerksam - mit Ideen abseits des Mainstreams und Sounds, die noch heute als 'legendär' bezeichnet werden. Innerhalb kürzester Zeit fanden sich die Pedale in den Setups von The Edge (U2), Jimmy Page, Radiohead, Kevin Sheilds (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore und vielen anderen und die Preise auf dem Gebrauchtmarkt steigen heute teilweise über 800 $. Mit dem Cheese Ball bietet JHS Pedals jetzt eine akkurate Nachbildung der legendären Lovetone Big Cheese Schaltung und das Pedal hält was der Name verspricht! Neben den klassischen Reglern für Volume, Gain und Tone kommt das Effektpedal mit einem 4-Wege Mode-Schalter, der zwischen verschiedenen Tone- und Gain-Settings wählt. In der 'Off' Position wird der Tone-Regler deaktiviert und das Pedal erzeugt einen hellen, bissigen Fuzz / Distortion Sound. In der '1' Position liefert der Cheese Ball einen Sound mit Mid-Scoop, der an satte Big Muff Verzerrung erinnert. Position '2' bietet einen Mid-Boost der sich durch jeden Mix schneidet und Position '3' kommt mit einem aggressiven Gated Fuzz Sound, der spuckt, beißt und schreit!

Long ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Sheilds (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The '2' position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the '3' position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.

Official Product Page

Manual

JHS Cheese Ball - Demo Video - Living Room Gear Demos

JHS Cheese Ball - Demo / Review Video - Dennis Kayzer

JHS Cheese Ball - Demo Video - Pedal Of The Day

JHS Cheese Ball - Demo Video (No Talking) - Guitar Bonedo

Cheese Ball

The JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.

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Review by Chris Loeffler

Official Product Video

Demo by ProGuitarShopDemos

Demo by Sweetwater

Review by The Gear Page

AT+ Overdrive - Black - Andy Timmons Sign.

Nutze den Red Remote mit ausgewählten JHS Pedals um die um ihre On-Board Toggle Funktionen ohne Bücken anzuwählen. Verbinde ihn mit einem einfachen Instrumentenkabel und er agiert als On-the-Fly Umschalter zwischen den Pedal Modi.

Use the Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting.

Demo by GuitarrasCustom

Red Remote

The Fuzz Face was released in 1966 by Dallas Electronics Ltd. and is one of the most iconic fuzz pedals ever made. This British fuzz is recognized instantly by its "Smiley Face" enclosure that was developed after Mr. Arbiter used the circular base of a microphone stand as inspiration. It is one of the first things we think of when we hear "fuzz pedal" because it lived at the feet of the great Jimi Hendrix. The Fuzz Face was released just a few months after the Sola Sound "Tonebender" 1.5 hit the market, and upon investigation, it is an almost identical circuit. The original Fuzz Face manual even said that it was a "battery-powered TONE-BENDING unit," clearly showing its inspiration. Though the circuit is much like the Tonebender MK1.5, the tone is very different. It possesses a very full and thick fuzz sound with roaring low-end frequencies. I can't help but think of how this made the three-piece Jimi Hendrix Experience sound larger than life. The most amazing feature of this fuzz is its ability to change into something magical as you roll your guitar volume down. Many of Hendrix, as well as players like Eric Johnson's clean tones, are in fact, the Fuzz Face with the fuzz control maxed, but the guitar volume turned way down. This setting results in an unreal and almost mythical light overdrive that you have to feel and hear to understand. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit.

Each small batch of Fuzzes will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a standard polarity power cable like your other pedals as I have wired it internally to work that way. The Fuzz is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

Product Review 

Product Page 

Product Demo 

1966 Series Fuzz

Der JHS Pedals 3 Series Compressor ist ein einfacher, intuitiver und leistungsstarker Kompressor, der von subtiler Kompression über eine smoothe Glättung bis hin zu einem super 'gequetschten' Sound eine Vielzahl an Möglichkeiten bietet. Mit den Attack- und Sustain-Reglern lassen sich die Ansprache und die Stärke der Kompression einstellen, während der Volume-Regler wahlweise Unity Level oder sogar einen Lautstärke-Boost ermöglicht. Der Bright-Schalter aktiviert ein helleres EQ Voicing und verhindert so, dass der Tone in bestimmten Situationen verloren geht. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

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