Der JHS Spring Tank Reverb ist ein echter Amp-Style Spring Reverb im kompakten Gehäuse. Er ist ausgestattet mit zwei unabhängigen und schaltbaren Reverb Mix Reglern, Tank 1 als primärer und Tank 2 als sekundärer Reverb Mix, zu dem du mit dem Tank 2 Fußschalter umschalten kannst. So hast du zwei Reverb Mix Optionen jederzeit griff-/trittbereit. Die Regler für Depth (Größe des Hallraums), Length (Länge der Hallfahnen), Highs (Tone der Hallfahnen) und Boost (gesamt Tone des Reverb Sounds) lassen dich den perfekten Reverb Tone für deinen Sound kreieren. Dem noch nicht genug, verfügt der JHS Spring Tank Reverb über einen Effektloop, sodass du die Reverb Trails mit zusätzlichen Effekten versehen kannst!

The JHS Spring Tank Reverb is a true amp style spring reverb in a compact size pedal. It is equipped with 2 independent and switchable reverb mix controls, the Tank 1 as the main reverb mix and the Tank 2 as the secondary, engaged by the Tank 2 switch. So you have two reverb mix options on the fly! The controls for Depth (adjusts the size of the room), Length (controls how long the reverb reverberates), Highs (controls the tone of the reverb) and Boost (adjusts your overall tone) will let you create the perfect reverb tone for your sound, but if that is not enough for you, the JHS Spring Tank Reverb has an effects loop so you can put any effect on the reverb tails you desire!

Manual

JHS The Spring Tank Reverb - Demo Video by Reverb.com

JHS The Spring Tank Reverb Test by Bonedo.de

JHS The Spring Tank Reverb - Demo Video by RJ Ronquillo

JHS The Spring Tank Reverb - Demo Video by Premier Guitar

JHS The Spring Tank Reverb - Demo Video by Mike Hermans

JHS The Spring Tank Reverb - Demo Video by Livingroom Gear Demos

Spring Tank

The Fuzz Face was released in 1966 by Dallas Electronics Ltd. and is one of the most iconic fuzz pedals ever made. This British fuzz is recognized instantly by its "Smiley Face" enclosure that was developed after Mr. Arbiter used the circular base of a microphone stand as inspiration. It is one of the first things we think of when we hear "fuzz pedal" because it lived at the feet of the great Jimi Hendrix. The Fuzz Face was released just a few months after the Sola Sound "Tonebender" 1.5 hit the market, and upon investigation, it is an almost identical circuit. The original Fuzz Face manual even said that it was a "battery-powered TONE-BENDING unit," clearly showing its inspiration. Though the circuit is much like the Tonebender MK1.5, the tone is very different. It possesses a very full and thick fuzz sound with roaring low-end frequencies. I can't help but think of how this made the three-piece Jimi Hendrix Experience sound larger than life. The most amazing feature of this fuzz is its ability to change into something magical as you roll your guitar volume down. Many of Hendrix, as well as players like Eric Johnson's clean tones, are in fact, the Fuzz Face with the fuzz control maxed, but the guitar volume turned way down. This setting results in an unreal and almost mythical light overdrive that you have to feel and hear to understand. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit.

Each small batch of Fuzzes will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a standard polarity power cable like your other pedals as I have wired it internally to work that way. The Fuzz is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

Product Review 

Product Page 

Product Demo 

1966 Series Fuzz

Das JHS Pedals 3 Series Reverb bietet Musikern einen vielseitigen Effekt, der genau das richtige Maß an Raum für die Gitarre bietet. Von einem kleinen, natürlichen Room Hall bis zu beinahe endlosen Ambient-Washes lassen sich alle denkbaren Reverberation-Effekte erzeugen. Der EQ-Regler verändert die Klangtextur des Reverbs und bietet so hellere, klare oder dunklere, wärmere Voicings. Der Decay-Regler bestimmt die Länge der Hallfahne und mit dem Pre-Delay-Schalter lässt sich eine kurze Verzögerung vor dem Einsetzen des Effekts aktivieren um selbst kurze, Slap-ähnliche Echos oder Spring-ähnliche Sounds zu erzeugen. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Official Product Page

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series Reverb - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - 60 Cycle Hum

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series Reverb - Demo Video - shnobel

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - Rabea Massaad

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

3 Series Reverb

Das JHS Pedals Paul Gilbert PG-14 Signature Distortion Effektpedal bietet ein neues, einzigartiges Schaltungs-Design, das speziell nach Paul Gilberts Vorgaben entwickelt wurde. Das Herz der Schaltung bildet eine FET-basierte Distortion-Sektion, die den Sound, das Feeling und das Ansprechverhalten eines übersteuerten Röhrenverstärkers emuliert. Das Pedal bietet Gitarristen die Möglichkeit die Dynamik und den Tone eines Amps auf 'Stadion-Level' auch bei moderaten Lautstärken zu erhalten. Ein weiteres, einzigartiges aber extrem wichtiges Feature ist der aktive Preamp für die Mitten, der vor die Distortion-Sektion geschaltet ist. Dieses Design-Feature bietet Musikern ein extrem breites Spektrum an möglichen Sounds mit jeder denkbaren Kombination aus unterschiedlichen Gitarren und Verstärkern.

The JHS Pedals Paul Gilbert PG-14 signature distortion is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier.

JHS Paul Gilbert PG-14 - Review by Gitarzysta [PL], [04-2020]

JHS Paul Gilbert PG-14 - Demo / Review Video - The Tone King

JHS Paul Gilbert PG-14 - Demo Video - Guitar Bonedo

JHS Paul Gilbert PG-14 - Demo Video - Dennis Kayzer

JHS Paul Gilbert PG-14 - Review by Gitarre&Bass [DE], [07-2020]

JHS Paul Gilbert PG-14 - Review by Gitarist [NL], [05-2020]

JHS Paul Gilbert PG-14 - Demo / Review Video with Paul Gilbert and Josh Scott - Sweetwater

JHS Paul Gilbert PG-14 - Demo Video - Musiker TV

JHS Paul Gilbert PG-14 - Demo Video - Living Room Gear Demos

JHS Paul Gilbert PG-14 - Demo / Review Video - Musiker TV

Paul Gilbert Signature PG-14

Wilco Gitarrist Nels Cline wandte sich an JHS Gründer Josh Scott mit der Frage, ob JHS im Jahr 2022 ein Oil Can Delay herstellen würde. Obwohl JHS das nicht offiziell im Programm hatte, entwickelten Josh und sein Team ein Oil Can Delay Pedal in Einzelanfertigung, das sie Nels als Geschenk überreichten. Nels war so begeistert, dass er es für die Aufnahmen und die Tournee für Wilcos Cruel Country und jetzt für das neueste Album Cousin nutzte.
Obwohl das JHS Oil Can Delay kein Signature Artist Pedal ist, sind JHS Nels Cline für die Inspiration dankbar. JHS sind stolz darauf, Ihnen jetzt dieses einzigartige Pedal für Ihre eigene Sammlung anbieten zu können.

Wilco guitarist Nels Cline reached out to JHS founder Josh Scott asking if JHS made an oil can delay in 2022. Though JHS didn’t have one in the official lineup, Josh and team developed a one-off oil can delay pedal, which they presented to Nels as a gift. Nels liked it so much that he used it through the recording and touring process for Wilco’s Cruel Country and now their latest record Cousin.
Though the JHS Oil Can Delay isn’t a signature artist pedal, we’re still grateful to Nels Cline for inspiring it. JHS are proud to offer you this unique pedal for your own collection.

3 Iconic Vintage Effects On A Budget (Oil Can, Rotary Chorus, Tape Delay) - JHS Pedals